All the news that fits
21-Oct-16
Blackdown [ 21-Oct-16 5:05pm ]
Dusk & I have done tracklists for every one of our Rinse shows since 2007. I do this because I want the new producers we find to get discovered & recognised. Lost dubs is all well and "elusive" or "ephemeral" or whatever, but in a world of more music being made or published than we each could listen to in any one lifetime, cutting some signal through the noise matters. At least, it matters
10-Oct-16
Ration The Future [ 10-Oct-16 11:33pm ]
Debt [ 10-Oct-16 11:33pm ]
I read a statistic this week that I won't forget in a hurry. The world is $152 trillion in debt.

As kids we are taught that banks are places where people keep their savings and the bank then lends that money out to people who want to borrow money. If money is based on gold or silver then this idea works. The amount of gold available doesn't change much. A little more is mined each year but the total amount of gold on the planet is finite. This means that the banks would only have money (gold) to lend to people, if they had deposits from people who have savings or excess gold.

Paper money has no physical limits. It literally grows on trees. We can chop down more trees, make more paper and print more money. But the government has put in strict controls to limit who can print money and how much is printed.

There are no controls at all over digital money.

Digital money represents 97% of the money supply according to positive money (who have lots of simple videos to help people understand how money really works). The banks create digital money by typing the numbers into a computer every time a loan is made, then they charge interest on it. No wonder bankers get such big bonuses and have no concern about gambling millions on stock markets and currency speculation, because they can just create more money at the tap of a key.

If you are still struggling to believe this, then ask yourself how the world can be $152 trillion in debt otherwise? Where did all this money come from to lend to people, businesses and countries?

How are we going to pay back all this debt? Create more money of course. But the banks charge interest on all the money they create so in effect you need more money than has been created to be able to repay the debt and interest. The debt can only continue to grow.

If you are personally in debt, which most people in the UK are if they have been to university or have a mortgage, there is a certain amount of stigma and guilt attached to it, along with pressure to pay it back. Partly this comes from the general feeling that we have borrowed someone else's savings, when in reality this money is created by the banks from thin air (not requiring savings or even trees to grow it).

It is important to understand that it is IMPOSSIBLE for everyone to pay back that debt in the current system, because of the interest attached, which means there will always be more money owed than money created. Not unless we change the system so that money creation is controlled and created without any interest attached. Until then people are debt slaves, working all their lives in the hope of paying off their debts so that they can enjoy their old age. Just know that when you pay off your debts they are just getting passed on to the next generation of debt slaves and their burden will always be heavier.

Please don't get stressed or beat yourself up if you are in debt. Money in its current form is a trap and even most countries with all their financial advisors are in debt. See how fast the UK's debt is growing here. That is currently equivalent to £48,000 for every tax payer, with an average salary of £27,000, which may put your personal debt into proportion. Some point soon there will need to be a reset - governments going bankrupt and wiping the slate clean. (Only we had best hope that we are out of the EU before then, otherwise they will force the UK to take on more debt, whilst expecting a 'bail-in' payment from anyone with savings over £200,000, followed by a sell-off of all assets, such as ports, monuments, and the NHS, whilst simultaneously cutting pensions and welfare payments. Just saying!)

If you want to reduce your personal debt TheMoney Saving Expert website can provide helpful tips to help you budget and save money.

The way I see it is that money no longer represents any kind of barter or exchange. It is purely used as a tool to create debt to the banks (debt slavery). On the flip side barter and exchange rates are not linked to money. Think about it. Anything you want can be bartered or exchanged without money. Money was originally created to make it easier to collect tax. The government struggles to tax 20% of the runner beans that I gave my neighbour or 20% of the jar of jam she gave me in return.
 You would be surprised how many exchanges are used every day. For instance, instead of me paying for a taxi or train, my friend gave my son a lift when I wasn't able to, knowing that I will return the favour (or complete my side of the exchange) for her daughter in the future. If you want to free yourself from debt then increase your exchange, barter, favours and gifts with family, friends and neighbours. From grouping together to provide childcare, carpooling, to couch surfing, hitch-hiking, house swapping and various other ways of cutting money out of your everyday transactions.  Focus on developing new and existing skills such as growing vegetables, carpentry, playing music, hairdressing or anything that gives you something to trade with others for the things you need. This kind of currency promotes trust and respect - something lost from our banking system.
26-Sep-16
rohorn [ 25-Sep-16 10:16pm ]
Race #7, 5, 1, and * [ 25-Sep-16 10:16pm ]
Ran the warm-up lap and gridded for the Formula Colorado class in MRA's Round 7, which was my 5th race ever, 1st race in 2 years, and pulled out at the end of lap 1: DNF. I thought I could quickly work my way back to previous lap times chasing the back of the grid, but it didn't work out that way. The hardware works great; the liveware, not so great. It is one thing to battle with someone else at the back of the grid (That is still racing), but when the entire field disappears in the first half lap and getting lapped within 3 laps is obvious, then I don't feel like I belong out there. That said, I did get a lot more comfortable on it. Chicken strip reduction rate was ahead of expectation. Riding mistakes were getting easier to identify. Lines around the track were getting more obvious. The 2WS system was never a distraction: It steers far better, making it a lot less work to go faster. We're going to have a lot more fun generating better results.


Yes, it is a lot of fun to show up with an exotic motorcycle, but racing is about how you ride, not what you ride. Other than some minor bodywork restoration and steering column modification, there's nothing left to do except ride it. And work on a completely new design based on the same configuration and very little else.
09-Sep-16
An Idiot's Guide to Dreaming [ 9-Sep-16 1:33pm ]
Valerie [ 09-Sep-16 1:33pm ]
Not that one.

Here's Thighpaulsandra, whose Golden Communion record is starting to worm its way into my life. This one, goes all over the place and through a lot of his influences: from Kevin Ayers, to Julian Cope and onto Coil. It's not a blend as much as a spread... this track doesn't know what it wants to be and is all the better for it.

Yeah. Song-writing needs more of this hopeless dilettantery. It's full of fun and frolics; lets in light and shade equally, feels earnest and heartfelt and honest in its appreciation of others.





01-Sep-16
renstravelmusings [ 1-Sep-16 2:26am ]
Duckworth Blueberry Farm [ 01-Sep-16 2:26am ]
Duckworth Farm

Duckworth Farm – it's hard to describe in words, how much I love Duckworth Farm and what a huge  impact it's had on my life.  It really is a very special place.

Duckworth is part of the Wwoofing (Worldwide Working on Organic Farms) network, who have a website connecting farmers with budding volunteers from across the globe.   It's a unique exchange programme where farmer hosts, offer free food and accommodation to Wwoofers –  volunteers willing to work a certain number of hours per day on the farm doing a variety of farm related tasks. It's truly an excellent way to learn new skills, explore different cultures, get close to nature and live with little money.

pic1My favourite sheep – Mimi and George

The scope of Wwoofing is amazing as there are literally farms all over the globe, the types of farms you can stay on are vast and thus so is the type of work you will do.  Your accommodation situation will be different wherever you go, as will be the number of other Wwoofers you will be working with.  These are all factors to take into consideration if you are contemplating Wwoofing yourself.

It's an experience I just had to try, knowing that those participating in this type of venture would be great people, given the hosts are welcoming complete strangers to live and work on their land, using the principle of exchange rather than money. I was also really attracted to it as I wanted to learn more about agriculture and growing my own food. I've been really intent in recent months on adapting my lifestyle into one that involves more working outside, using my body and being close to nature so Wwoofing was the perfect chance to experience this.

You're the one for me….

When I discovered Duckworth Blueberry Farm on the Wwoofing website, I immediately knew it was the farm for me.  Firstly, few farms have all five star ratings from the previous Wwoofers and so many overwhelmingly positive reviews.  I was travelling to California alone, with my travel fund quickly diminishing.  Yet I had a wish to learn and a hankering for adventure, so I knew that Wwoofing was a great idea, especially on a farm that accepted at least a few other volunteers so that I could meet new people.  Luckily my intuition was right and I spent a full two months living at the farm.  Several people who left the farm ended up coming back later which, again, speaks volumes.

What also massively attracted me to the farm was the enthusiasm of Lorrie and Oscar, the dynamic and wonderful duo behind the farm.  They're really keen for young people to experience and learn about farm life, very much wishing to share their skills and knowledge, accepting those who have little or no farm experience so that we can learn as much as possible about things we otherwise wouldn't have the chance to in our own lives.  For me farm life in itself was pretty knew, so even just working with animals and picking was a learning experience.  But on top of that we had great opportunities to learn about cooking, mechanics, spinning and weaving.

pic2.jpgOpportunities to learn – like mechanics in Oscar’s workshop Where is Duckworth at?

Duckworth farm is located close to the town of Sebastapol, in Sonoma County, California.  The whole area just blew me away as there is just so much stunning scenery within just half an hour radius of the farm, all of which is very diverse: from the coast, to the forest, to the meadows to the farmland - it's very unique coming from England.  In our free time we were able to do a lot of exploring by car and by bicycle which was great, especially as in true Californian style, it was indeed always sunny, something I find myself longing for more than I'd like to in good old England.

pic7.jpgFarmland in Sebastapol Duckworth's Bread and Butter

The Duckworth's have just over 80 acres of farm land, they accept Wwoofers from April until the end of August and on average there were about twelve Wwoofers at a time during my stay.  The main products sold from the farm are it's delicious organic blueberries and hay.  The bulk of our work was blueberry related - picking in the fields, sorting and packaging the blueberries, ensuring the fields were weeded, the nets are fixed to protect the berries from birds.

Some might find blueberry picking rather monotonous.  I honestly started seeing juicy bushes of blueberries when I closed my eyes, it's true! However I really enjoyed this peaceful imagery, it made a welcome change from the thoughts that have run through my head in previous lines of work, at least this was relaxing.

The other things I loved about picking was that we would have great conversations with each other in the field on all manner of subjects, it was the best place to get to know people intimately and to learn from them.  Not only that, when I did want to be alone, I enjoyed the silence of picking by myself, or I would end up doing a lot of singing which I thoroughly loved doing to entertain myself.  Not to mention the final bonuses - being able to eat away as you worked and being outside in the morning before the sun got too intense.

pic3.jpgPicking blueberries in the field

There are also lots of animals at the farm - chickens which provide plenty of eggs, horses, sheep for milking and for wool, and lots of cats and dogs.  It really brought home to me how much richness having animals adds to your life.  They are indeed additional mouths to feed and a big responsibility to take care of, but they are also always very entertaining and bring a lot of life and love to the farm.

Daily chores

On top of the four to five hours of blueberry work, we also had morning and evening chores, which although we called them chores, I really enjoyed too.  It was initially a shock to the system having to wake up at 5.40am to be ready to start these at 6am, but once I got in the routine, I really grew to appreciate starting the day as the sun is coming up and getting all our work done first thing so that we could enjoy our free time in the afternoon.

We would do the same chore for a whole week with one or two other people.  This would be either cooking breakfast for the group, milking six of the sheep or feeding, mucking out and letting the horses into the field.  I actually really enjoyed all of the work that we did, I found it very rewarding to be outside, work with my hands and build relationships with the animals.

sheepIt’s sheep milking time!

My favourite chore turned out to be sheep milking – quite a surprise to me!  I ended up really loving the sheep, recognising each of the ones we'd milk and getting to know their personalities.  Sheep are notoriously scared of humans and see almost any other living creature as a predator.  Thus they generally run away from you if you approach, well unless you are carrying food!  But there were a few sheep on the farm that were actually really trusting (hey Mimi and George!) and they would approach you, even if you were foodless and not in their pen for some sheep cuddles.  So I had a lot of fun hanging out with the sheep.I like the animals as they put a different perspective on life, just doing their thing.

The bonus was of course that we were then able to use the sheep milk to make cheese, yoghurt and butter and there's nothing quite like eating something that comes from your land or animals.  For this reason I also really enjoyed taking care of the many chickens who would provide us with 15 or so organic, free range eggs per day.  They also were great, waddling towards you and I was like an excitable, small child when I learnt you could stroke them and that they have super soft feathers.  They in turn ate most of the compost waste from our kitchen so nothing goes to waste.

IMAG0384.jpgThe Wwoofers play some post dinner games in the kitchen A typical day at Duckworth

5.40am: Wake up in my tent

6.00am: Start morning chores (breakfast/sheep milking/horses)

7.15am: Communal breakfast

8.00am: Start work - mostly blueberry related in the field

1.00pm: Lunch (which we took turns to cook for the group)

2.00pm: Free time!

6.00pm: Evening chores (sheep milking/ horses/garden watering)

7.30pm: Communal Dinner

pic8Finding our blueberries at the local store

The benefit of Duckworth Farm is also that you get a good chunk of time in the afternoon to spend as you please, and you can never get bored on the farm!  I loved spending my afternoons learning how to make cheese, yoghurt, butter, jam, pies.  It was so nice to spend time with the other Wwoofers, I leave with a lot of new friends and happy memories.  The farm is always full of laughter, song, dancing in the kitchen, playing games, swimming in the pond.  We learnt alot on the farm because of the Duckworths, but what was also amazing is that we could learn so much from each other.

That's not to say it was without it's challenges.  Waking up at 5.40am was quite an adjustment and living in a community setting is a really interesting experience.  All of the Wwoofers came from different backgrounds (some from Europe, some from the States, Canada etc) and were a range of ages and had different life experiences. There were some great people there and we had so much fun, yet there were of course also differences in the way we liked to do things and it was a constant process of adjustment and negotiation.  The group dynamics would change really fast as new Wwoofers would come and go, people had different levels of contributing and it was just such a good learning experience in patience, adapting quickly to new circumstances and working with others who may have different ways of doing thing to you.

I could honestly talk all day about Duckworth farm - so I will leave it with a huge thanks to everyone that made it such a wonderful experience, especially to the Duckworth's who make it all possible.  For a virtual tour of the farm (and some dodgy commentary from me) there are some videos here on You Tube.  I can’t wait for the next time……….

IMAG0026.jpgThe Wwoofer’s tent space next to the pond (that you can swim in!)
30-Aug-16
rohorn [ 30-Aug-16 3:43am ]
Track Time! Again! [ 30-Aug-16 3:43am ]
This morning's track time at High Plains Raceway went very well. The track was initially opened to first time track riders to familiarize themselves with the track layout. That was a great opportunity to go out slowly and not worry about interfering with other people's idea of fun. And there were other things to worry about. Those first two laps were probably the most terrifying thing I've ever done, not that the racer did anything wrong, but rather I didn't know what it might do wrong and without warning. There is no prior art available for the category of two wheel steering road racers or any experience to lean on. What I was riding was the culmination of earlier experiments based on a magazine article I read almost 30 years ago that stuck in my head. Will the front/rear coupled steering result in some sort of instability over bumps, corners, braking, down? Will the rear end wobble and violently separate partially or completely? Will rear steering geometry that behaves while coasting misbehave while under power, braking, and/or hard up/down shifts? What about trail braking with linked brakes and linked steering? Will steering that works well at modest lean angles work under more severe cornering attitudes? Or worst worry of all: Is it merely another way to generate bad lap times with curious hardware, only to be pushed back into the shed and languish as a habitat for spiders?

After those first 2 laps and an hour or so of inspection (No loose or missing hardware! No adjustments needed at all!) and introspection (Do I really want to do this anymore? The turns are where I remember them 2 years ago, but where did my sense of timing go? Do I really want to go back out there?), the doubt, confusion, and overwhelming sensory input that race tracks can provide somehow evolved into that powerful feeling that somehow gets helmets and leathers on without thinking: Must! Go! Back! Out! That is a really good feeling!


The next 2 laps went a lot better. Even though I haven't ridden it (Or anything else) in 2 years, I still instinctively slid over on the seat to hang off into the corners. That isn't necessary anymore, since the 2WS system reduces lean angle a lot more than hanging off. The linked braking system is a huge improvement over the old system. Hard braking is drama free, as is trail braking into corners. Great brakes and steering systems might not sound too useful when they aren't being used properly, but they do wonders for improving confidence in the bike.


The last 3 laps were just a lot of fun trying to use what I learned earlier in the day. No lap times were recorded, but I'm looking forward to learning a lot more. The last MRA race of the season is at High Plains Raceway, 17-18 September.
25-Aug-16
Rouge's Foam [ 25-Aug-16 5:04pm ]
Art by Kim LaughtonThe first episode of my new monthly show for RBMA Radio aired a few days ago, and is archived here. Bubblebath is a two-hour show all recorded and edited by me, featuring new, typically lesser known tunes that I'm interested in, segments going for some deeper analysis, and interviews with various people from underground music culture. For the first show, I looked at the pseudo-humanistic style of James Ferraro's Human Story 3 and some other records, and talked to Mat Dryhurst about some of the problems facing underground culture today and his platform Saga. The playlist is below.
People in the US won't be able to listen to the archived version of the show for various legal reasons. I didn't realise that would happen and I do apologise. If that's you, you might try using a proxy server, especially with different browsers. US listeners can listen to the show live without any problems, though, so I'll make sure to forewarn people next time.
· 00:00:02 - 00:02:41 Julien - Alpha Beat - Calm (from Calm 2 https://calmdot.bandcamp.com/album/calm-2)

· 00:02:41 - 00:05:28 Alfie Casanova - 4 Play - Calm (from Calm 2 https://calmdot.bandcamp.com/album/calm-2)

· 00:05:28 - 00:10:16 NKC - Salon Room - Her Records (from Hague Basement http://store.herrecords.com/album/hague-basement)

· 00:10:16 - 00:13:03 仮想夢プラザ - 秘密 - Plus 100 Records (from Balance with Useless https://plus100.bandcamp.com/album/balance-2) (extract, background, and again throughout )

· 00:13:03 - 00:18:17 Julien - Day Racer - Orange Milk (from FACE OF GOD https://orangemilkrecords.bandcamp.com/album/face-of-god)

· 00:18:17 - 00:23:52 NV - Bells Burp - Orange Milk (from Binasu https://orangemilkrecords.bandcamp.com/album/binasu)

· 00:24:50 - 00:29:57 Easter - Leda - own Bandcamp page (from New Cuisine Part 2 https://easterjesus.bandcamp.com/track/leda)

· 00:29:57 James Ferraro - various tracks from Human Story 3 - own Bandcamp page (https://jjamesferraro.bandcamp.com/album/human-story-3) (extract, background)

· 00:32:04 - 00:37:32 James Ferraro - Individualism - own Bandcamp page (from Human Story 3 https://jjamesferraro.bandcamp.com/album/human-story-3)

· 00:39:19 - 00:40:31 John Adams - Lollapalooza - Nonesuch (from I Am Love Soundtrack) (extracts)

· 00:40:55 - 00:41:20 Steve Reich - Eight Lines Number 1 - RCA Red Seal (extract)

· 00:41:36 - 00:42:30 Aaron Copland - Allegro from Appalachian Spring - Sony Classical (from Bernstein Century: Copland) (extract)

· 00:43:05 - 00:44:32 Jeffery L. Briggs - CivNet Opening Theme - Microprose (from CivNet Soundtrack) (extract)

· 00:44:48 - 00:45:24 Oneohtrix Point Never - Problem Areas - Warp (from R Plus Seven) (extract)

· 00:45:52 - 00:46:11 Kara-Lis Coverdale - AD_RENALINE - Sacred Phrases (from Aftertouches https://sacredphrases.bandcamp.com/album/aftertouches) (extract)

· 00:46:30 - 00:47:04 Giant Claw - DARK WEB 005 - Orange Milk (from DARK WEB https://orangemilkrecords.bandcamp.com/album/dark-web) (extract)

· 00:47:25 - 00:47:51 Metallic Ghosts - University Village - Fortune 500 (from City of Ableton https://fortune500.bandcamp.com/album/the-city-of-ableton) (extract)

· 00:48:58 - 00:49:59 Torn Hawk - The Romantic - Mexican Summer (from Union and Return) (extract)

· 00:52:12 - 00:55:08 Subaeris - Shadow Portal - Nirvana Port (from Transcendent God https://nirvanaport.bandcamp.com/album/transcendent-god)

· 00:55:08 - 00:58:23 Subaeris - Beating Heart - Nirvana Port (from Transcendent God https://nirvanaport.bandcamp.com/album/transcendent-god)

· 00:59:08 - 01:01:16 Klein - Babyfather Chill - own Bandcamp page (from ONLY https://klein1997.bandcamp.com/album/only)

· 01:01:16 - 01:03:45 Klein - Make it Rain - own Bandcamp page (from BAIT https://klein1997.bandcamp.com/album/bait)

· 01:04:49 - 01:47:38 Valentin Silvestrov - Diptych - ECM (from Valentin Silvestrov: Sacred Works) various tracks from Valentin Silvestrov: Silent Songs - ECM (extracts, background)

· 01:49:09 - 01:54:25 Swimful - Atop - SVBKVLT (from PM2.5 https://svbkvlt.bandcamp.com/album/pm25)

· 01:54:25 - 01:58:45 Swimful - Bounce (Simpig Remix) - SVBKBLT (from PM2.5 Remixes https://svbkvlt.bandcamp.com/album/pm25-remixes)


24-Aug-16
Art by Sam Lubicz3hd festival is back for its second year in Berlin this October, and its website has gone up (click here). I'll be there lecturing and participating in discussions over various aspects of their theme 'There is nothing left but the future.' In the meantime, I wrote an essay for them (click here to read it) sketching some initial thoughts about some of the problems facing musical futurism and musical sarcasm after a summer of violence and Brexit, through the lens of the 'Ode to Joy' from Beethoven's Ninth Symphony, and Wendy Carlos's electronic version of it particularly (incidentally, Jeremy Corbyn, something of a lightning rod for various kinds of political tumult whatever you think of him, recently mentioned listening to Beethoven's 5th).
Beethoven's Ode to Joy has accumulated cultural and political baggage of apparently every different kind, and, especially, in extremes. It has played the role of humanity's highest and most noble achievement and an incitement to horrifying violence both. And it is the anthem of the European Union...
Who needs dehumanising machine music when you have Trump, when you have the rise of hatred the world over?
There is an important difference, of course, between the future and the futuristic. The futuristic is a costume, a thrill, a performance, a caricature, all from within the safety of the present. The future is what actually happens to you and at some point, whoever you are, it will hurt you. What can art and music help us to do and to say before that point?
01-Aug-16
rohorn [ 1-Aug-16 12:06am ]
Done & Running. Again. [ 01-Aug-16 12:06am ]

The racer was finally assembled enough to fire it up and ride it this afternoon. The test ride was only a 1st gear lap around a nearby parking lot, but it went very well - well enough to look forward to a test & tune day at the track. And if that goes well, we go racing. 
Some details need finishing, like securing the wiring and lots of safety wiring. The nose section was structurally repaired, but not cosmetically finished - I didn't want to delay the testing any further.

This has taken a lot longer than expected, but it has been worth  the time and trouble.
25-Jul-16
An Idiot's Guide to Dreaming [ 25-Jul-16 3:26pm ]
Rockaway Park / The Mob [ 25-Jul-16 3:26pm ]
Well, I never knew about this... I guess Farmer Glitch does since he knows The Mob mob... Been through Temple Cloud loads of times, of course, but never off course...

These little spaces and places interest me and the Mutoid connection sends seeds way back to the early post-Pilton parties and pre-raves that popped up (periodically)... Also great to not know about something on the doorstep, especially as it's almost certainly related and connected in various ways to places / people I know.

A calming band on indistinct uncertainty in a world tainted with grim inevitability...

Still, keep on! Keep on!



02-Jul-16
Bikini State [ 2-Jul-16 12:00am ]
FORECAST / BROADCAST [ 02-Jul-16 12:00am ]


It's been quiet around here lately. Why? Because BIKINI STATE BULLETIN has been going backwards, regressing from a 21st century medium to good old fashioned paper. Bikini State Bulletin One is now available via SPIRIT DUPLICATOR. Apart from 500 tins of beans and a shar stick, it's all you need for The Crisis.
It costs £1.50. Yes, it is absolutely ridiculous. But there's other stuff you can buy to make it worth the postman's while, so please take a look, my partially sandpapered fingerprints are all over it. 
27-Jun-16
THE CRISIS IS NO LONGER EN ROUTE [ 27-Jun-16 12:00am ]
I hope everyone has their smatchet to hand.
21-Jun-16
up close and personal [ 20-Jun-16 9:13pm ]
The future then [ 20-Jun-16 9:13pm ]
15-Jun-16
An Idiot's Guide to Dreaming [ 15-Jun-16 9:32am ]
Really Red [ 15-Jun-16 9:32am ]


Always had an on-off relationship with American Hardcore... never liked most of it as much as the Brit anarcho / hippy / punk dimension but this was a great song and is still a great song...

And entirely true, of course.










06-Jun-16
renstravelmusings [ 6-Jun-16 4:26am ]

I've now left India but the love affair with this country continues and has me longing for more.  As always, I wasn't yet ready to leave - despite having spent four months there!  The more time that passed, the better it got – the more possibilities that opened up and the more I was learning.

2. SUNSET

Dharmalaya

I was fortunate to spend my last 3 weeks at Dharmalaya - a centre for compassionate and sustainable living.  Dharmalaya is set in the Himalayas a few kilometres outside of Bir, a town housing a Tibetan colony, several monasteries and a famous site in India for paragliding. It's not on the radar of many travellers who would look puzzled when I told them where I was going.

It's one of the most beautiful places I've ever lived and I kept having to pinch myself that it was where I was staying.  As I opened my tent door each morning I'd be welcomed into the day by a view looking down the valley of forests and hills.  Not only that, on a clear day, you could see the tips of some snow peaked mountains and watch the sunset create shapely silhouettes of the foothills.

1. VIEW

What do they do?

The centre's main work is in running courses in eco building (in the local Himanchali style using mud bricks and mud plaster), in permaculture design and sustainable living.  They also host meditation retreats and have open volunteer periods, which is what I participated in.  During these periods you can do the hands on work – building the infrastructure, gardening, as well as be immersed in local culture and learn about sustainable living practices that they have implemented.

Dharmalaya is still massively a project in the making.  They already have a main house containing the communal areas such as the dining room, kitchen, meditation room, bathrooms and some bedrooms.  They've begun the process of growing their own vegetables but currently still have to buy most food from outside as the garden is not yet well enough established (and there is a monkey food stealing issue - damn those monkeys again causing trouble!)  A few other cottages are in the process of being built and there will be some meditation huts on the way too.  The showers are run by solar power and they have a few types of toilets including compost.

3.HOUSEThe Main House Part of the family

You can already see the huge potential and the one thing that is already well established is the wonderful sense of community.  One of the best things about Dharmalaya is that they employ about ten people from the local village above the site that you get to work alongside.  They are so hugely friendly and welcoming which I really appreciated.  Their English is limited, so I was grateful for my little Hindi to try and enable better communication.  Each day they would always greet me with 'Morning ji' - 'ji' being a term of respect that you don't have to use for a stranger. With this cultural understanding it felt like being welcomed into a family.

Before I left one of the longer term volunteers who co-ordinated the work told me the staff had really enjoyed working with me too –  I think they could see I was really doing my best to learn and be respectful and appreciated that.  Not only that - apparently they also really enjoyed the singing - yes of course I couldn't stay in a group of 12 volunteers without some kind of communal singing happening.  I taught a few sessions to the volunteers and in the morning circle we performed a rendition of a simple rounds called 'Bella Mama .  It got stuck in everyone's heads - it had people from the village asking 'what is this Bella Mama?' - which we always translate as beautiful mother/earth but in the local language apparently translates as 'ox uncle' which we all found hilarious.

5. familyThe Dharmalaya family

I really enjoyed spending time with the other volunteers on the project, most of whom were around my age and from different parts of India.  It was brilliant for my Hindi as I could pick up bits of what they were saying in Hindi, but equally they also spoke to one another a lot in English so I could understand a lot and ask questions when I wasn't sure what was going on.  It was really nice to not just be with other Western volunteers as it enabled me to really understand more about young people in India today.  They were all really kind and a pleasure to get to know.

Day to day living

Staying at Dharmalaya was extremely physically challenging, especially for someone not used to so much manual labour AND the heat.  Luckily I was in fairly good shape from all of the hiking and living in the mountains and we were also given good rest time.  We had a three hour work session in the morning, and one in the afternoon with plenty of time for tea breaks and delicious lunch.  We worked hard, but there was also a relaxed attitude to it and it was one of those experiences where you get as much out as you put in.   I felt very inquisitive and so wanted to try all of the different activities and ask lots of questions.

I learnt lots of practical skills that I never could have imagined I would, or never knew I was so interested in (but am!).  This included …….

  1. Pugging – essentially stamping around in a pile of  mud, water, pine needles and rice husk with your bare feet until the mixture becomes even and can be used to make bricks
8. puggingPugging

2. Making mud bricks – using moulds, allow them to dry in the sun for 3 days

7. brick makingMaking mud bricks

3. Masonry – building the house with the mud bricks (trying to keep the wall level and straight!)

11. masonryMasonry

4. Making Plaster – main ingredient is cow dung which has to be fetched from the nearest village 10 minutes up the mountain

9. pooCarrying cow dung (gobar)

6. Moving heavy things –  forming ‘human chains’ was the most efficient way

9. carryingHuman Chain

7. Gardening – including composting and planting seeds

10. plant seedsSeed planting to grow vegetables Learning a new way

I gained so much inspiration from my time at Dharmalaya and the realisation that all over the world there are people and organisations doing great work for our planet, who invite others to spend time in their community and learn about what they do. Now I'm on a mission to learn more about sustainable living – how we can grow our own food and generate our energy using what's readily available to us.

I was reminded just how powerful living so close to nature is to me - my Hawaiian jungle experience gave me an insight, but it was this experience that reminded me of the peace of mind and energy I get from being in such a setting which has really empowered me to make sure this is something I make part of my future living situation - not just as a holiday.

I was also surprised with how much I love being hands on and getting my hands dirty.  Having always used my mind a lot it was such a simple joy to be outside and be creating something you can physically see that is going to be of use to people.  I'd never realised how strong my body can be when I give it the chance and it feels like finally I'm using this body I was given for it's true purpose.  I don't want to sit down all day - I want to be active and then enjoy rest.  It feels right to be using my body now whilst it's still fit and able to do theses things and the more I do this, the healthier I'll stay - it just all makes so much sense!

I'm still excited and inspired by this experience, it feels like a shift in how I want to live and what I want to spend my time doing.  Let's see what happens…..


25-May-16
Blackdown [ 25-May-16 5:26pm ]
Dusk + Blackdown Rinse FM May 16 [ 25-May-16 5:26pm ]
**Dusk + Blackdown Rinse FM May 16** Dusk + Blackdown "What do you mean?! (parro mix)" [unreleased] Threnody "Forward Levels" [unreleased] Mark pritchard "The Blinds Cage Feat Beans" [Warp] Fox "Chaos (prod. by Samrai & Platt) [unreleased] Blackdown "Hackney Vandal Patrol" [unreleased] Delo "Can You" [unreleased] Squane "Bog"  [unreleased] Yak "Anju" [unreleased] Champion "Chrome" [unreleased
20-May-16
renstravelmusings [ 20-May-16 11:55am ]
Marvellous Manali [ 20-May-16 11:55am ]
'How can you travel alone?!'

After visiting beautiful Palampur, my travel buddy Eric returned to Canada so I was back on the road solo and ready to explore some places I'd never been before.

For many going somewhere new can be a nerve wracking experience - particularly if you are alone in a county where the culture is so different and you don't speak the language.  A few months ago it seemed like a daunting prospect (even though I did it on a previous India trip over five years ago), but this experience reminded me again that every time I do it I get so much out of it. How quick we are to remember negative experiences and slow to remember the positive.

viewWandering around the mountains of Manali

I see how much fear we can create for ourselves, worrying about all sorts of if, buts and maybes.  The great thing about continuing to travel is after a few new places you start to lose these worries and get a deeper faith that somehow it will all work out well. You gain a sort of flow, or momentum and then when it does all work out it is just so satisfying!

The kindness of strangers makes my travels possible and it's these interactions with everyday people that restore my faith in the world.  People taking me to the right carriage, getting on the bus with me to take me to my stop, buying me chai for playing them a song, allowing me to stay in their home without asking for anything in return, assisting me with printing, booking transport, finding a good mobile deal etc. The list goes on.   It's so nice.

Immersion in beauty

My week in Manali was a time of immersing myself in the nature of the mountains and as a result I had a flurry of musical inspiration.  I really fell in love with the mountains of Himanchal Pradesh this trip - the snow peaks, the animals, the sweet local people, the clean air and the calm feel.

himanchal housing.jpgTraditional buildings in Old Manali

 

Old Manali is the place to stay (as opposed to New Manal), as it still has a lot of the character of a traditional Himanchali village despite it becoming ever more busy with guesthouses, bars, restaurants and cafes for the growing steam of tourists that come for trekking, skiing and rock climbing.

At the top of the town are buildings in the local style made of wood and stone, with space for the animals underneath the house.  The women here still weave the local clothing of thick blankets using traditional weaving apparatus.  Despite the tourists they are still connected with their roots and wear this traditional cloak style blanket with a tie around the waist and a scarf tied around the head. I couldn't resist buying a hand knitted wooly hat that I didn't really need.  I just had such a nice chat with the women in my growing Hindi that I wanted to support their work.

weaveTraditional weaving machines

In the end it came in handy as Manali was very chilly at night time, sometime reaching 0 degrees so I would wear all of my layers in bed.  But during the day, as soon as the sun was out,  we could bask in the glorious weather, perfect for exploring the gorgeous forests and mountain peaks in every direction.

I found myself wondering around a lot for walks with my guitar and writing some songs, my favourite being 'In the Mountains' (original title I know) which came following a conversation with a friend about the mountains being the last place on earth to live as climate change gets worse.  The recording quality is terrible (as there is the noise of a river and someone building in the background!) but here it is on you tube on a better one should appear at some point…..!

woods.jpgGorgeous forests in Manali Musical Magic Manifestation

All of the playing culminated in some kind of new musical surge, finding it easier than ever to sing and play guitar together at once (finally) which before was a true brain ache and now is becoming natural and easy.  This is immensely satisfying as I remember being on my previous India trip five years ago and practising uber basics of strumming (up, down, up, up, down, up), so boring, yet now I play and even write songs.  I'm so glad I had the insight to realise what I could gain if I put in five years of practise.

I was reminded so much of the Renee that wanted to play and sing but couldn't yet when I began giving free guitar lessons to some Nepalese guys running a German Bakery.  Their tea, friendliness and good wifi initially drew me in, but it became a bit of a daily routine to sit in the bakery and teach some guitar.

guitar.jpgMe and my best travel buddy – my guitar

It was their turn to overcome the repetitive practice of 'up, down, up, up, down, up' monotomus strumming.  But because I have been there, I have ultimate patience to sit with someone working through this important, but very boring, initial stage.  I now have real experience of what is possible with practice and I know how much the support of others can help you on this journey so it was really nice to support them.

Moving on up

Ii was a real momentous victory when a Nepalese bar owner promised me a free dinner if I played at set in his bar.  I was terrified, but knew the pay off would be so great if I could learn to enjoy playing in front of others without being self conscious.  It could be a true useful, practical skill for travelling to provide me with the basics I need like food for free - a huge gift when living on a shoe string budget.

So I overcame my stage and mic fright and sang about 8 songs, half of which I had written myself and the other half blue grassy/folk songs I love.  It was far from perfect but it was fun and it went down well.  Seeing the guy after me play reminded me that you don't always have to be super/ gifted talented musician for people to enjoy your music as so much of the music is what you bring to it - if you are enjoying it, or really feeling it, others are also more likely to.

sheepLove ewe Manali

So yes I got free dinner and some cups of tea!  The basics I usually have to pay for with hard earned money, were given to me for free for doing something I love that gives me energy and makes me feel good.  Wow!  In Manali I reached a tipping point –  my musical experience and playing of songs will just keeping getting richer and richer.  My bank balance is getting low but, but my wealth is increasing.  You can't put a price of music and nature.  I feel so lucky that this is what I get to do at this time in my life.


13-May-16
An Idiot's Guide to Dreaming [ 13-May-16 10:31am ]
IX Tab / Hoofus - The Blow [ 13-May-16 10:31am ]

There's a new IX Tab split release with Hoofus on the every reliable Front&Follow, the first in a series of collaborative things...

Here's a sample:



Will come in a sexy little cassette form plus downloads for those of you with digital manipulation devices.









12-May-16
Blackdown [ 12-May-16 9:12pm ]
Keysound Allstars on SWU FM [ 12-May-16 9:12pm ]
An hour of dubs from me. Truce & Damu in two very different mixes to follow.
An Idiot's Guide to Dreaming [ 12-May-16 12:26pm ]

...a mix by Kemper Norton, or a mix of Kemper Norton, including some stuff I don't think I've heard before: an on open envelope of odds and ends, including a collaboration / remix of the inimitable Ice Bird Spiral, a band who might well have precipitated a causal chain that lead to Kemper Norton, Ekoplekz, Hacker Farm, IX Tab and probably many others... if only because everyone who went to see them thought: yeah, absolutely, this is immense; why the fuck NOT?

08-May-16
renstravelmusings [ 8-May-16 8:21am ]
Escape to the country [ 08-May-16 8:21am ]
Off the hummus trail

I was growing tired of the backpacker hub of Bhagsu - the familiarity and lack of what I call 'real' Indian culture (if it’s too easy, it’s not ‘real’ India!).

Bhagsu and the nearby town of Dharamkot, are famously part of the 'hummus trail', a route taken by Israeli travellers.  They often spend months travelling in India, following their compulsory military service for 2 or 3 years (depending on whether they're female or male).  They come to India to chill out and forget about life for a while, yet it's created these strange pockets of cafes and guesthouses with mainly just Israeli travellers, with all the menus and signs written in Hebrew.  They tend to hang out in big groups and party hard. Although I’ve met only lovely Israelis, I wanted to move away from this culture, after all when I want to experience Israeli culture, I will go to Israel not to India.

hummus.jpgA perk to the many Israeli cafes is the abundance of hummus (my fav snack)

I hadn't realised it consciously, but I needed to get out of my comfort zone again to be opened up to the beauty of India and out of the Bhagsu bubble.

Enough of the same menu for Westerners that somehow ranges from Indian, Israel and Italian main meals to Tibetan, Japanese food thrown in with some English or American breakfast - none of which is quite like what you'd eat in that country.  Enough of speaking in English all day to other backpackers.  Enough of my nice guesthouse.  I was scared of being lonely, having had company the most of my trip - in Varanasi from my Indian family and then my mum coming to visit and then lots of interactions with backpackers.  But it was time to rock the boat, which is the best move I could have made…..

Back on the move

When I'm travelling, I find it near impossible to plan any sort of route in advance.  Reading information in books or online, I just get overwhelmed by possibilities and options and find it difficult to really get a feel for the atmosphere of a place which, for me, is the most important.  So I tend to go on recommendations by other travellers I meet along the way, who always give you the golden nuggets of information.  Even then, you can't take what they say as a given as everyone has different views on why they like a place, but from past experience I've found this method to work very well on big trips where timing is not an issue.  And so I'd collected some golden nuggets and had some chance encounters with other travellers that shaped up nicely.

In McLeod Ganj I sat down in a café for a nice coffee (the best way to get free wi fi), joining a table with a young guy sitting there already.  Eventually we started chatting as he wanted some local information on yoga and trekking. Just ten minutes later we were best buddies who had decided we needed to go off the beaten track together to do some hiking for his last few days in India.

cart.jpgTravelling in the back of a truck with my new overnight best buddy – Eric

It's so funny how fast that can happen when travelling. With Eric, I just knew in just that short amount of time, that we really clicked on a deeper level.  He was super friendly, funny, so enthusiastic to learn, reminding me of me on my first trip in India.  I could tell he'd also really immersed himself in the culture and had lived away from backpackers for substantial amounts of time so had some really interesting, crazy stories.  Lastly he didn't feel too intense to be with alone, which is super important travelling with just one other person.  I say this because I've met many types of people in India, some who are seeking something, some who are very lost and for me it just sucks my energy.  But with Eric it was easy to just chat or have our own space when needed and if anything we inspired each other.  Needless to say I'm so glad I met exactly the right person to leave the bubble with.

Trekking Tales

We headed by local bus, just three hours away, to a town called Palampur, which turned out to be just what the doctor ordered.  It's really not on most traveller's radars - in fact every time I mentioned I was going there, the response was 'Why are you going there?' or 'What's there?!'.  Yet it turns out that just outside the main town, it's a really quiet, countryside place, with a village like feel to it, super friendly locals, charming tea plantations and stunning mountain views.  Even the main town is what I call 'India light', as it's the least hectic town I've been to in India, the Himanchali mountain people really are very chilled out and kind.

rjodeRhododendron flowers in the Himalayas – a tasty treat

We were fortunate to meet an American guy who was really knowledgeable on the local area as he lived in Palampur managing a company that takes groups on mountain training courses at high altitude.   He arranged for a local villager to take us on a two day trek for just 750R each (about 7.50 in pounds), promising it wouldn't be like the hikes his groups do that last ten days and climbing high mountain passes!

We went shopping with the guide to buy food supplies to take with us up the mountain as there would be no shops and then caught a dodgy looking Indian van, with an open back for carrying goods, to the trail head.  Of course to add to the excitement we had to sit in the back of the truck which then turned into standing as we got more daring.  I also very wisely (?!) decided it would be a great idea to bring my guitar as Eric had said he'd really enjoy hearing the songs I'd written and I thought the top of a mountain would be a pretty beautiful place to play.  So I did the ridiculous thing, not for the first time, and took my guitar for a hike.  Was it worth the pain?  Of course…

sheep.jpgSheepishly (!) I trekked with my guitar

It was exciting hiking on paths that we’d never have been able to find ourselves.  We admired the beautiful, bright red rhododendron flowers that start to appear when you reach a certain altitude in the Himalayas.  We learnt you can eat them straight from the tree, they taste quite sour and bitter - an acquired taste, but once I was hungry they suddenly did wonders as a snack to keep me going.  You can also make tea and a chutney out of them, both of which I was keen to taste, but as yet have not yet come across as it's something not available to buy, only made by locals.

After a day of hiking we arrived at our destination - a deserted Sherpa village in which we were the only ones staying.  A bit eerie, but also incredible to encounter, especially as on all sides of us were mountains. During monsoon season a whole village move up the mountain to this spot to graze their animals on the grass and shelter from the bad weather in their traditional stone cottages.

sherpa.jpgDeserted Sherpa Village

The cottage design ensures there's space to sleep at the top of the house and space for the animals to shelter at the bottom.  The sleeping space also contains an indoor fire.  This was great to keep it warm, as it was freezing, but it got so ridiculously smokey that we had to keep the door open.  It doesn't surprise me that smoke inhalation is still the biggest cause of death in India when this is still common place in villages to have fires indoors.

 

hut.jpgHome for the night – sleeping on a bed of hay

Dinner was of course the standard dish - rice and daal.  We had an epic (outdoor) fire and went to bed pretty early knackered from the hike (and also as Eric's stomach was playing up - not ideal at the top of a mountain!).  That's when the bad weather started - howling winds, cold temperatures, rain.  In the morning neither of us could bear to move from our cozy sleeping bag until the guide came to tell us we had to get up and go before it got worse otherwise it could be dangerous. So we had to hike down through the epic rain, lucky that we'd been given some waterproof ponchos.  Brave Eric kept on trooping despite his stomach getting worse.  But it was such a great trek - so off the beaten track and such good company.

wet.jpgWet, wet, wet on the way down Village life

During the rest of our time in Palampur we were fortunate to explore some gorgeous villages.  I'm probably idealising village life greatly but I just loved seeing the children running around playing, giggling so much, free to explore as it is such a safe place and because Indian parents tend to have a more laissez faire approach whilst children are young, allowing them to play without supervision.  Ironically the children seem to have less freedom as they become adults having to report in to their parents regularly about every aspect of life if they aren’t at living at home.  Or so I have been told by several young Indians I have met.  I’ve had to be in a few selfies with Indians to proove what they are up to, to their parents!

kids.jpgThe children weighed a lot less than the guitar

The kids were enjoying us giving them piggy backs up the hill.  There's still a traditional style of building, made from clay and wood, which is beautiful, and many of the houses still have their own vegetable patch and animals.  There were only about 50 houses in the village and most of them had TV dishes on the side of the house, and apparently good electricity supply.  It's such a mix of tradition and modernity.  The villagers were so friendly and we were invited into one for delicious pakora (deep fried veg) and chai tea (spiced tea with lots of milk and sugar).  I really have been appreciating my basic Hindi in these situations and I just can never get over how hospitable people all over India are.  It makes you feel at home wherever you are, restores my faith in humanity and is the best way to get a taste of local culture.

villageMy new friends from the village near Palamput The best gift

My other favourite memory of Palampur is writing a song for Eric's brother – David who has had a tough year fighting sickness.  Having brainstormed what would be a good gift to bring home for him, we decided instead to write him a song as what could be more original?  It was so much fun to write – first Eric told me as much as possible about his brother to give me writing inspiration and then I wrote the tune and lyrics according to what he wanted to say to his brother.  It turned out super cheesy and is called the best gift.  I've given up fighting against the cheesiness now as at least it made someone smile!

Even more fun was shooting a short video to go with it.  Of course we had to have a super, luscious, gorgeous looking back drop - so we sat on some rocks in a stream with green fields and snow peaked mountains in the background, as you do!  It’s not great quality but you get the idea.

guitar.jpgVideo shoot for ‘the best gift’ Dreams of living off the land

I've been really inspired by the way I've seen people live in the state of Himanchal Pradesh, more traditional ways of life, coming back to basics such as growing your own food and building your own house with local materials.  Sometimes I forget how many ways there are to live other than the culture I have been raised in.

I was fortunate to be invited to visit an Indian friend's land, also in Palampur, which they hope one day to turn into their own sustainable and eco friendly farm that will host volunteers.  Already they have their own tea plants, several types of vegetable and many herbs and spices and they plan to build eco cottages out of local materials.

It's just such a peaceful space, you instantly feel calmer being among the sound of birds and crickets.  I was also welcomed most warmly, as is so uplifting in India, with lots of tea and delicious home made Indian food.  I'm really excited to see how the project will pan ou'- they are currently trying to build the funds required to kick start the project and will soon launch a crowd funding campaign.  If you want to help support them, get in touch with me!

land1.jpgBeautiful land in Palampur with so much potential
leaving earth [ 7-May-16 11:30pm ]

Time marches on and new music is made, but not music containing much that is actually "new". From my perspective, this is where things have been heading the last couple of years, after approximately five years of endless wonder and invention, while from the perspective of other people, it's how things have continuously been since at least the nineties. For me, the big question is not why things are slowing down - if anything, it would be far more weird if they didn't - but rather, why the majority of people, including those who have dedicated their lives to actively investigating the cutting edge of new music, didn't experience the same future rush as I did, even when directly confronted with some of the most unique, strange and groundbreaking music ever made. And, perhaps even more puzzling, why did the people making that music rarely argue their cause? Almost as if they didn't really believe they could create anything new, they seemed unable to escape the retro-logical mindset themselves, even when their creations did. The answers to these questions are complex and I'm still in the process of thinking them through, so it'll still take some time before I'll the be able to pull it all together comprehensively. In the meantime, even though I'm not driven by the same thrill of discovery as before, I'd still like to make some kind of overview of the state of posstep last year. There was nowhere as much good stuff as in 2014, but the creative momentum of the poststep peak years was still big enough to produce quite a few brilliant records, even if they were all more or less working from within categories established during the peak years, rather than inventing new ones.

Jlin: Dark Energy (Planet MU)
SIMPIG: Strangers (Argent Sale)Darren Keen: He's Not Real (Orange Milk)Ever since footwork became the new big thing among ghetto beat connoisseurs, there's been a lot of handwringing about the possible gentrification of the style. Even with Jlin, who I suppose is seen as an "authentic" member of the original scene, there's been some talk about how she's moving away from the raw radicalism of the original sound, which I think is pretty silly. She's allowing herself to experiment and use a broad palette of sounds and ideas, but the "authentic" rawness and jagged edges are certainly still there - it's just not something that is made with the endlessly repeating rap- and soul-loops of "traditional" footwork, and thank heavens for that. Those loops were already pretty lame to begin with, and have only become more and more annoying as they've been used over and over again for five years by anyone who wanted to sound "authentic". Wonderfully free of that, Dark Energy is one of the best and most forward thinking "proper" footwork albums ever, second perhaps only to DJ Diamonds Flight Muzik, as well as one of the very best and most refreshingly strange albums of 2015. Which, sadly, doesn't mean that it's offering something completely new and unheard, it's just one of the best possible utilization of the still existing potential for the new and unheard in a style that is, in itself, not all that new any more.
Where Dark Energy remains raw, SIMPIGStrangers is archetypical dreamy-cosmic, almost chilled, footwork-through-an-IDM-lens, to the degree that you hardly even notice the footwork elements at first - it's mostly just rhythmic eccentricities seamlessly blending into a wider concoction of different well established poststep innovations, as well as various chill out/IDM-trappings in general. It was definitely the bitstep-remains that drew me in more than the footwork, but in the end it all just comes together in a way that simultaneously feels obviously right and perhaps a bit too obvious. On the one hand, Strangersrefine and recombine stuff that already works, rather than invent anything new, and as such it's clearly exemplifying the halt that poststeps engine of invention has come to, but on the other hand, it's hard not to enjoy an album that manage to use a good deal of the innovations that has exited me so much the last five years in a rather original and convincing way. After all, I still wish there was more of this stuff, and SIMPIG delivers it.
If Dark Energy is "authentic" footwork at its best and most forward thinking, and SIMPIG is a brilliant example of the "inauthentic" cosmic/atmospheric approach to the style, Darren Keen's He's Not Real is a typical example of the more bizarre and silly end of "inauthentic footwork", turning it into a hyperactive bricolage of IDM-tomfoolery and goofy samples. The result is pretty uneven, with several tracks being hard to stomach due to their lame sample sources (self consciously cheesy pop, ironic "ghetto" vocals), but there's also quite a few tracks (something like half of them, I'd say) that reaches a kind of absurdist, baroque charm that is quite unique, making the album worth seeking out.


Bruce Smear: Chlorine (Orange Milk)
Oneothrix Point Never: Garden of Delete (Warp)Co La: No No (Software)The unhinged and at times almost disturbing weirdness of Giant Claw, Filter Dread (on Midi Space at least) and especially Felicita, was one of the most refreshing developments in 2014, but it wasn't developed much further in 2015 - actually, if that year produced anything even remotely as deranged as Felicitas Frenemies, I didn't hear it. The ultra sharp, bright and hyperactive sound of Bruce Smear's Chlorine came close, but also seemed, to some degree, like a bit-too-obvious mixture of PC music, cryo-grime and electro-tinged IDM, and as such it eventually did feel like a slight step backwards despite it's exciting syntheticness.

If anyone actually seemed to take a step forward in this direction, it was Oneothrix Point Never. On Garden of Delete he all but completely abandoned the retro-synth sound of his early records, in favour of a strange concoction of abrasive digital textures, and an opulent, baroque-yet-inorganic approach to composition, sometimes resulting in something like an absurdist take on EDM-"song writing", complete with grotesquely autotuned vocals. Like a self consciously weird and arty cousin to Hudson Mohawkes kitchy Butter, not everything on Garden of Delete worked equally well, but it was definitely one of the most unique and alien records of 2015.

Slightly in the same area - though nowhere as loudly twisted and fractured - was Co La's NO NO, which finally felt like a proper follow up to 2013s Moody Coup (2014's uneven Hegemony of Delete seemed more like a one-off diversion). Using the same strange AI-dream-logic that made Moody Coup such an inexhaustibly fascinating record, but taken in a more febrile and rhythmically angular direction, NO NOwas in many ways as artificial and post-organic as OPN, yet at the same time deceptively straightforward and well rounded, and as such perhaps the better album.

Holly Herndon: Platform (4AD) Aisha Devi: Of Matter and Spirit (Houndstooth)Visionist: Safe (Pan)As one of the most talked about and anticipated albums of 2015, Holly Herndon's Platformseemed to disappoint some, but with me it was the other way round - I liked it so much more exactly because she abandoned the familiar IDM/industrial-ambient structures that made Movement a rather predictable, almost traditional album, and went all the way into twitchy, labyrinthine voicescapes. Sure, abstract voicescapes is not something new, and you could argue that especially within poststep it's pretty much its own tradition, but it's nevertheless still something with a lot of potential, and that potential was brilliantly realised on Platform, which simultaneously managed to avoid the glitchy-dreampop comfyness that these voicescapes far too often regress to, yet sounded almost like pop on some tracks, making abrasive avant garde structures surprisingly catchy.

If Herndon avoided the well-established use of voice manipulations to create dreamy, floating soundscapes, that approach was a big part of Aisha Devi's Of Matter and Spirit, but with none of the usual comforting pleasantness. Instead, the overall sound was icy synthetic and inhuman, as ominous and foreboding as Devis mangled voice, which sounded like the wailing of digital spirits forever caught inside forgotten data networks, or the mysticism of Dead Can Dance remade by an alien AI left to its own devices for millennia.

Herndon and Aisha Devi seem to represent two different takes on how manipulated voices can be used to explore the ever disintegrating border between artificial unreality and the organic, but the most radical of 2015's voice-alchemists was perhaps Visionist, who I guess should technically be classified as "weightless grime", though the use of disembodied, half dissolved voices was pretty much the only defining characteristic of Safe, which otherwise was more or less unclassifiable. Drenched in an overwhelming sadness, the album was sort of related to Burial in spirit, but without using any of the well-established Burial-tricks so familiar by now - no broken 2step beats, engulfing crackle or ghostly submerged rave sounds here, just a half-fractured mosaic of abandoned voice fragments lost in an icy void. Unable to connect while blindly calling into an endless indifferent nothingness, isolated words and phonemes glittered like distant stars in ever changing constellations, creating patterns of stark beauty and hopeless longing.  At the same time moving and weirdly terrifying, Safe among the absolute best of the year.

Slackk: Backwards Light (R&S)
Acre: Better Strangers (Tectonic)Acre+Filter Dread: Interference (Codes)While Visionist made abstract grime so weightless that it became something else entirely, there were still plenty of experimental grime producers pushing the style forward in 2015 without leaving it behind altogether. One of the best was Slackk - a bit of a veteran in the field by now - who never seemed interested in the pure and bleak abstractions pursued by so many of his colleagues. Continuing down his own path, further refining a highly personal take on "emo-grime", it was hardly surprising that his Backwards Light ep was much in the same style as 2014's Palm Tree Fire lp - an abundance of complex-yet-straightforward melodic arrangements and bittersweet, melancholic moods. At the same time, it also felt like an even more focused distillation of that sound, with each of the six hollow funeral marches a brilliant and self-contained gem in its own right, making it perhaps his best release yet.

Melancholic moods were also present on Acre's Better Strangers, though only as one element in an overall extremely dark and grim sound world - sort of how the most brutally ugly and inorganic tracks from the first Rephlex Grime-compilation would have ended up if they'd been left to disintegrate and deteriorate in a cold concrete basement for ten years. This didn't work all the way through Better Strangers though, some tracks were simply too minimal and monochrome to be interesting, which was extra frustrating because the best tracks were just incredibly good - at the same time genuinely futuristic and hauntologically ghostly, oppressively dystopic and strangely touching, vulnerable and beautiful in all their icy, crumbling hopelessness. Trimmed down three or four tracks, Better Strangers could have been the album of the year, but then, Interference, Acre's collaboration with Filter Dread, was arguably the ep of the year - a much more sharp, focused and upbeat affair, but still every bit as strange and inorganically alien as you could wish for, a sonic landscape inhabited by odd machine creatures moving in high speed patterns completely incomprehensible to us.


Brood Ma: Populous (Hemlock)
Arca: Mutant (Mute)Kuedo: Assertion of a Surrounding Presence (Knives)Related to the abstract grime contingent, the biggest "movement" in experimental electronics in 2015 was probably all those producers inhabiting the interzone between the kind of abstract grime that had become so abstract that it contained no actual traces of grime anymore, vaporwave-turned-neo-IDM, and what I used to call "entropica" - disintegrating soundscapes updating dark ambient and avant-industrial techno for post dubstep sensibilities. Adam Harper territory, on other words. As with a lot of the first generation entropica (Actress, Hype Williams, Lukid), a lot of this stuff didn't completely convince me; a bit too often it was also a bit too close to standard dark/industrial-tinged ambient, or Autechre-ish IDM, and while both kinds of music can be great, it also feels pretty regressive going on making that kind of stuff. So I never really got into M.E.S.H., J.G.Biberkopf or Rabit's Communion - the latter didseem fresh and invigorating at first and in small doses, but it simply lacked the focus and variety to be convincing as Whole LP. Only a few from this camp really worked for me; Brood Ma's Populous had enough structural power and momentum to make the gritty, noisy aesthetic fascinating, even if it didn't exactly feel forward-thinking, and Arca's Mutant, while a bit too reminiscent of traditional glitchy IDM to be a revolutionary work, still had an undeniable originality and personality to its compositions, slowly unfolding the more you'd listen. I'm still in the process, but as with Xen, more and more of it is getting into focus and suddenly making sense. I doubt it'll stop being too long, though, but who knows?

Eventually, the best of this bunch in my opinion was Kuedo's ep Assertion of a Surrounding Presence, which moved away from the pioneering "cosmic footwork" of Severant in favour of a much more cold and ominous sound. There was still a slight element of synth "classicism" here and there, but the overall feel was as bleak and post-organic as anything by Rabit or Brood Ma, just delivered in a much more immediate and straightforwardly structured way, and not held back by attempts to be as formless and constantly shifting as possible.

Turnsteak: Digitale Pourpre (With Us)
Debruit: Outside the Line (ICI)I have never really been into the "clubby" end of poststep, but it does deliver some good stuff now and then, and surprisingly, two if the most original albums of 2015 was actually from this end of things - as well as from France. The duo Turnsteak, previously completely unknown to me, worked with the well-known formula of twitchy UK funky/2step-beats and a neon lit emotionalism somewhere between euphoria and melancholia - i.e. where we also finds artists like Damu, Walton and Sully (around Carrier at least). Some tracks on Digital Pourpre didn't do much more than continue this tradition, but big parts of the album also showed that there was still plenty of opportunities for new twists within the formula - enough potential for further development to make an album that was both a well-rounded whole and a completely personal take on the sound, full of odd and original touches.

With Debruit's Outside the Line, the most surprising thing is that it seemed like a "clubby" poststep record at all, rather than another instalment of his uniquely twisted ethno-wonky-funk. Sure, the ethno samples were still there, and there was none of the house/garage elements so common to the strains of poststep desperately trying to align itself with club/'nuum authenticity, but the use of four to the floor beats and much more straightforwardly flowing basslines also took it in the direction of - relatively - conventional dancefloor-oriented 21st century club music. And I'm not really sure how to feel about it, I must confess. On one hand, it's good that Debruit is trying completely new things - as great as his previous style is, he has also by now refined it to the point where some new input is clearly needed -, and there's still some wonderfully weird sounds and dreamy, dizzy moods on Outside the Line. On the other hand, though, working within a much simpler rhythmic structure is just not to his advantage: It has always been the sharp edges and far out syncopations that made his music really original and amazing, and without them it can at times feel a bit flat and featureless, especially with the heavy use of sampled "tribal" percussion, which just seems pointlessly tacked on when it isn't twisted into original shapes by larger, weirder rhythmic structures. As a result, Outside the Line was to some degree frustrating - sometimes it seemed strangely anonymous, and sometimes it sounded wonderfully strange and original - but in any case it's a good thing that Debruit isn't stuck. I just hope that he'll be able to develop further while regaining the rhythmic weirdness that made him so special to begin with.

Zomby: Let's Jam pt. 2 (XL)
Myth: Evaporate (Halc)Ebbo Kraan: Aletta (Rwina) As with the SIMPIG-album mentioned above, this is all records that feel a bit like guilty pleasures, in that they're immediately pleasurable for someone with my preferences in poststep, but at the same time they're not trying to push any envelope whatsoever. If anything, they sound great exactly because they're cultivating some of those elements that seemed so revolutionary and envelope-pushing in the beginning of poststep. I guess there's people who, like me, wish that there was simply more of this amazing, wonderful music, and hence they make more of it, ticking all the right boxes, rather than inventing new ones. While not straightforward bitstep - still my favourite poststep substyle - these records all use, to some extend, the spiralling arpeggios and 8-bit cascades so significant for that style, but mostly within a slightly more dreamy and melancholic frame, as pioneered by artists like Ikonika, Desto and not least Zomby. So in a way, you could say that Zomby is plagiarizing himself on part 2 of the two Let's Jam-ep's he released in 2015, doing what he does best, and pretty obviously still doing it brilliantly. Not that he's simply repeating classic Zomby-formulas without any development, there's some very slight twists, the tracks seem both more varied and looser, yet also more fully formed than most of the With Love-album, though it's not easy to really put a finger on why that is. In any case it's a great Zomby ep, still evolving his personal sound slowly and organically, his inspiration still far from exhausted. Though, to be fair, part 1 was pretty much run-of-the-mill minimal "acid"/techno-jams that contained nothing to distinguish them as Zomby-productions.
That the "classic" Zomby-sound still has fans should not be surprising, somehow the sad, longing hopelesness of post-Burial sadstep just seem to fit twinkling, super-simple arpeggio-melodies like a glove. Myth's Evaporate ep didn't bring anything new to that table, and yet, it's hard to resist that sound when it's made so pure and immediate. Which could also be said about Ebbo Kraan's Alettaep, despite being a much more hard and heavy affair, based on the half-atmospheric, half-pompous avant-trap sound developed by artists like Starkey, Desto and Krampfhaft over the last three years. Again, there's nothing here really moving that sound forward, but when something works so well, it's obvious that there'll be people out there who think that it's unfair that it should be gone so soon, and wat to keep it alive. I can't really blame them.


STOP PRESS: Just when I'd come to the conclusion that poststep is more or less over and done, a bunch of amazing new poststep records appears in a short time, almost recreating the feeling of a continuous eruption of brilliance that made the previous peak years such a wonder to live through. OK, to be fair, the element of constant surprise is still missing, none of these records are creating something utterly unheard and unexpected, they're all pretty much expanding the current abstract grime sound, but they're doing it on such a uniformly inventive and invigorating level that I'm still feeling an unmistakable future buzz - apparently this style has huge hidden reservoirs of unused potential for invention. The play- and colourful, almost downright cartoony side of grime is taken to the max with Darq E Freaker's ADHDep, Murlo's Odyssey lp, and Loom's European Heartache ep (or most of it, anyway) - sometimes wonderfully absurdist and quirky like toys designed to amuse a hyper-intelligent alien child, and sometimes creating a kind of hysteric grime version of the über-synthetic frenzy found in PC music. In the more harsh and dark department, Brood Ma takes a quantum leap forward from the already pretty good Popolous, and makes the kind of record that actually sounds like you imagine all those abstract electronic artists like MESH, Rabit or Lotic would sound, when reading Adam Harper-ish descriptions of their music. Dazeuses a lot of the same tricks as everybody else in this scene, but here they really work, creating music that is every bit as ominously monumental and inorganically shapeshifting as you could wish for.
Equally heavy and doomy, but also much more cold and punishing, the Cellar ep from NA (half of Nguzunguzu) is like grime reinvented by Marc Acardipane, and at times reminiscent of NA's former Future Brown-collaborator Fatima Al Qadiri, whose own second album Brute is the best of this brilliant bunch. It has been criticised for not bringing much new to Qadiris table, as well as for being too samey, but even though it's definitely closer to her "defining" sound from the Desert Strike ep and generally even more monochromatic than the already pretty samey Asiatisch, her insistence on refining what's already brilliant, ever so subtly investigating what can be done with it, turns out to be the right strategy. Qadiri is confident that her core aesthetic vision is strong enough to carry the album, and it is - rather than "samey" in any bad sense, Brute is first of all an integrated work of art, almost a meditation on the heart breaking hopelessness permeating our world as the end of history starts to crumble, the veneer of the neoliberal mummery dissolving. Not since Burials debut have I heard an album so drenched in sorrow, but Brute is a much more dark and threatening beast, like feebly trying to navigate in a world of endless fog, while a nervous violence is constantly brooding just below the surface, waiting to break through. Bruteis one of the albums of the decade, but I'm afraid that it most likely will not be remembered as such. And why that is - why something as great as this isn't being recognised, but rather seen as just another slightly experimental electronic record of no real consequence, is also why poststep as whole hasn't been recognised I think. And that's the question that I'll try and tackle next.
04-May-16
Climate Change - Medium [ 25-Sep-13 12:13pm ]
Do you need a new bike? [ 25-Sep-13 12:13pm ]

7bn reasons why technology wont fix the environment 

Continue reading on Medium »

02-May-16
i b i k e l o n d o n [ 2-May-16 1:02pm ]


After six years of incredible cycling experiences, ibikelondon blog is coming to a close. I want to highlight where I have been, where I am going, and to say thank you for coming along for the ride.
I began writing about riding in London in 2009. I hardly expected then ibikelondon would become such a big part of my life.  My first post had just ten readers, and included a photo of me participating in a Skyride on a very rusty, very purple second-hand bike. Over 500 blog posts later and thankfully my wheels have improved - and so has London.
If you know me via Twitter you'll have seen clues that change is coming.  Starting any new venture is daunting, but I've been preparing to make this move for a while.  I worked hard on building this, I'm excited to share it with you, and I hope you'll be as excited using it as I have been creating it.  @markbikeslondonwill shortly become @StrategicCities, and you'll be able to find me at my new website; strategic-cities.com 
 With some of you on Blackfriars Bridge in 2011.
I'll still be looking at how people travel, and how cities can become increasingly efficient and liveable, but my focus will be wider than just the bike.  I've come to realise bikes are the "canary in the coal mine" of liveable cities, and there are many issues - childhood freedom, planning, obesity, transport - which are all part of the same urban matrix we call home, and which deserve further scrutiny.
StrategicCities will also see me start a new career.  I'll soon be delivering training for urban professionals and communications analysis for city leaders.  Why?  I've been fortunate enough to work in the media from the inside - as well as influence it from the out - and my experience has shown me that the way we convey messages is more and more important in delivering difficult projects. You only need to look at the vociferous - and frequently hysterical - anti-bike lane sentiment we've experienced in London.  Communicating well in a difficult environment is not a skill which comes naturally to most, but preparation goes a long way in helping to navigate that minefield.  My first web-based training seminar; "Achieving Change In A Hostile Media Environment" takes place in May and registration is open.  If you want to keep up to date about further events and training then you can sign up to the Strategic Citiesmailing list, or connect with me on LinkedIn.
ibikelondon has given me incredible opportunities. I've given evidence at Parliament, lectured at the National Conference for Urban Design at Oxford University and written for national newspapers about cycling and cities. I even appeared on Newsnight and Russian state radio.  Blogging takes (a lot of) time, effort and patience, but I've had fantastic experiences by bicycle along the way as well; from riding through backstreets in Shanghai, to chasing the Tour de France through Belgium in a helicopter.  More amazing things than I could ever have imagined when I wrote that first post back in 2009.
There have been tough times, too.  I've stood beside dangerous junctions as grieving relatives mark the site of a loved one's death too many times.  Too often I've written about poorly designed, poorly driven lorries in London, and the fatal problems they present.  And too often I've written how someone has died on an appallingly designed stretch of road which authorities had been warned in advance would lead to fatalities.
Two terrible weeks in 2013 saw six London cyclists lose their lives in rapid succession on our roads.  Those missing riders marked a shadow for a long time afterwards, when the bus seemed more appealing than the bike, and more likely to deliver me to work alive.
IMG_0022The "Tour du Danger" around London's 10 most dangerous junctions for cyclists.  Here the ride is seen outside TfL HQ on Blackfriars Rd - now the site of the north / south cycle superhighway.
London's anger at those deaths, and others, helped to spur our cycling community on.  This helped to achieve genuine political commitment and action from Mayor Boris Johnson.  Protests on Blackfriars Bridge and around dangerous junctions lead to really meaningful change.  Hours of meetings with politicians and their advisors helped to guide policy and new street designs.  But it should never have taken so many deaths for this process to start.
Now we're seeing the result of that commitment with hard-won bike tracks and re-designed junctions appearing across London, most contentiously along the Embankment.  Credit where credit is due; the North / South and East / West Cycle Superhighways is going to change the way we cycle in the city, and for good.
But resistance was ferocious, well-organised and - in the case of the taxi lobby and CanaryWharf Group - incredibly well-funded.  Those same opposing forces are still out there, making their backwards-thinking grievances an issue for the next Mayor of London. 
People who want a liveable London must remain focused (and angry), and Mayors must not be afraid to be bold.  Do not underestimate the change that committed citizens together with committed leaders can bring about.
I recommend you to the London Cycling Campaign and their Sign4Cycling Mayoral target, and to my fellow bike blogger Danny, at Cyclists In The City, who so often has been "a partner in crime" in campaigning escapades.
So it's goodbye ibikelondon blog, and hello to exciting, new Strategic Cities.  Through the years what has often kept me going have been the wonderful interactions - both online and off - with people like you who have read my words here.  Thank you.  I hope you'll come with me on my new adventure, and that there are many safe and wonderful bike rides ahead for us both.
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23-Apr-16
renstravelmusings [ 23-Apr-16 4:18pm ]
Escaping to the mountains [ 23-Apr-16 4:18pm ]

I've greatly appreciated spending the last month exploring the Himalayas in the state of Himanchal Pradesh, now one of my favourite places in India.  There's something so special about living in the mountains.  The views are truly magnificent, the Himanchali people are so nice and I've encountered a greater sense of village life which appeals to the side of me that just wants to live simply and close to nature.

It is especially a relief to be in the mountains after my time living in the hectic, heavily polluted city of Varanasi.  To breathe clean, mountain air is such a blessing and the nature is beautiful – snow peaked mountains, cheerful birds chirping away, butterflies flying onto flowers, mountain animals like goats and donkeys wandering.  Not only that, but India is experiencing a really unusual amount of heat for this time of year.  Millions are suffering temperatures over 40 degrees and there are major concerns over people’s health, in particular those who are most vulnerable who can’t manage these extreme temperatures.  I realise I’m so lucky that escaping to the mountains is an option available to me that many don’t have.

Back to the Future

My first stop in Himanchal was to the area of Dharamsala where I spent a month on my previous trip five years ago.  This time was very different - firstly as I was there exploring with my mum for ten days whereas last time I'd been alone, and secondly as previously it was off season in monsoon and thus very quiet -at that time I felt like I had the mountains to myself and could sing into the wind!  Yet this time tourist season was just kicking in.

Once my mum left to go back to England, I returned to the town of Bhagsu.  Bhagsu is a lively backpacker hub, walking distance away from the town of McLeod Ganj, home to the Dalai Lama and the Tibetan government in exile.  It's nice to be close to this area as the Tibetan town has a completely different feel to Bhagsu and also has lots going on.  The monks are always very chilled out and the Tibetan parts of India always feel calmer than the Indian parts of India!

IMG_20160325_174236.jpgView of Triund from McLeod Ganj

It was surreal, yet easy, to return to familiar Bhagsu, with it's nice cafes and views – the hours just fall away as you watch life pass by and chat to other travellers.  I even ended up in the same guesthouse as last time as I had such a good view and liked the location, high up the hill, away from the main street.  Yet I felt restless especially as more and more people arrived as the season kicked in.  Amazing musicians come here and there was potential to play music with them but I wasn't content to just sit around among the stoned backpackers drinking tea.  I felt I wanted to be as active as possible or to be experiencing more of 'real India' not this bubble.

What a waste

I was really thankful that I came across an organisation that I could volunteer with called 'Waste Warriors' whose work I felt really passionate about.  They are doing their best to clean up the town of Bhagsu as well as the surrounding local trails.  In particular they clean up the hike to the popular mountain top destination of Triund (2900m 9 km hike) and the path to the Bhagsu Watefall, a popular spot for Indian tourists. Waste Warriors also go into local schools to run workshops and they work with local businesses to ensure that they can recycle and responsibly dispose of their rubbish.  Volunteers can come and help with the weekly clean ups or can come to support the NGO in other ways via internships, running workshops, or helping with design, social media or other office based activities.

waste warriors office.jpgWaste Warriors office in Bhagsu

Despite the beauty of the mountains, trash is still a significant problem as there is a big difference in people's attitudes towards rubbish in India, it really is hugely dividing.  Either people will really find it a terrible issue and do their best to stop it or people just don't care at all, it isn't even a consideration - especially for those used to living in cities where the streets are full of litter and anywhere is a dumping site.  Even I am basically used to the rubbish in the cities, as everything is so polluted and dirty - but when you see the rubbish in the natural setting it really stands out as something that shouldn't be there.

triund rubbish.jpgRubbish at the top of Triund

When I did the Triund hike the first time with my mum, I just couldn't keep my mind off the rubbish that I kept seeing everywhere along the trail.  It reminded me of a familiar feeling I'd had in Nepal when I had also been hiking.  There were plastic bottles, glass bottles, clothes, shoes, sweet wrappers, cartons, crisp packets, cigarette butts, plates, plastic bags - the list just goes on.  It was distracting me from taking in the scenery as I just felt so disgusted by it.  I vowed to take some trash down on the way back down the next day.  My heart sank as I confronted some Indian guys who happily threw their plastic bottle from the mountain.  They just didn't understand what I was saying, or simply didn't care.  The top of the mountain was the worst - we'd come during a popular holiday and the camping site looked atrocious covered in bottles left by tourists.  I was also surprised none of the chai stands had made any effort to clean up at least their patch.

appeal.jpgA plea to keep it clean – but who listens?

But I was fortunate enough to join Waste Warriors on a few of their clean up operations.  I came across them when I was on the way down from Triund on their weekly clean up of the route.  Inspired and raring to go, I joined them a week later to do the same hike but this time I was equipped with big waste bags, gloves and tongs ready to face the rubbish.  Luckily, having done the hike before, I knew what I was letting myself in for and that I was fit enough. The Indian couple who had also joined us had not anticipated how hard the hike would be - it's one thing to do a hike when you aren't used to it, but another to also be bending down picking up waste and they really struggled.

Yet I enjoyed the challenge. We spent the whole day collecting rubbish, arriving at the top only as it was beginning to get dark and we stayed overnight to rest and return the next morning.  I found myself getting quite perfectionist in my litter picking - not being able to leave anything.  As I grew more confident I became a bit more daring with where I would go to collect the waste.  Some pieces were quite hard to reach, stuck in trees or bushes or having rolled off into the valley, but I figured if we didn't collect it, who would?  So we were very thorough in our clean up and I also improved my acrobatic and balancing skills as a result!  In return for volunteering the local chai stands would give us free drinks and we got to stay in a small hut in Triund for free, sheltered from the biting cold.

triund accomodation.jpgAccommodation in Triund is limited – a relief to shelter from the cold!

I still can't believe how much people's attitudes vary towards this issue.  From speaking to locals there is a great deal of tension and resentment towards the tourists who are the ones creating and throwing the rubbish.  However in particular, they blame the Punjabi tourists who are increasingly using this as a weekend holiday destination.  They are developing a reputation for 'having it large' and will come, party, do lots of drinking, shouting and then go home oblivious to the mark they have left.  It's difficult for me to write this, as I don't want to single out a particular group, as we are all responsible for this issue, however there is certainly evidence showing that the numbers of these tourists are increasing and I too observed this party culture and have been shocked this trip by how much alcohol and binge drinking really is becoming part of main stream Indian society.

waste warriors team.jpgThe Bhagsu Waterfall Clean up Team

I'd really recommend anyone that goes to Bhagsu to spend some time working with this organisation - they are doing a really great job and it's oddly very satisfying to collect the rubbish.  Of course there is still much work to be done in preventing this from happening in the first place.  There needs to be a huge change in attitude and public opinion and I just hope that India's new prime minister succeeds in his mission to try and clean up the country.  The mountains are a wonderful place and it's a tragedy to see them being polluted and the wildlife to be destroyed.  Once it's done it's too late - I hope people start to wake up soon. For more info on Waste Warriors visit their website here.

rubbish bags.jpg5 bags of rubbish collected at Bhagsu Waterfall in just 2.5 hours
20-Apr-16
Blackdown [ 20-Apr-16 3:48pm ]
Keysound show Rinse FM April '16 [ 20-Apr-16 3:48pm ]
Join the Keysound Rinse list, get free tracks to DL and the show emailed to you: http://bit.ly/keysoundrinselist **Keysound show Rinse FM April '16** Blackdown "Keysound Sessions Anthem (feverish weightless mix)" [unreleased] Becoming (N)one "Becoming (N)one" [v1984] Becoming (N)one "Pre, Post, Pre(-lude) i" [v1984] Mark Pritchard & Thom Yorke "Beautiful People" [Warp] Anz "Functioning on
09-Apr-16
Bikini State [ 9-Apr-16 12:00am ]
PARTY APOLITICAL BROADCAST [ 09-Apr-16 12:00am ]
Back in the country, stockpiling tins of pineapple.
31-Mar-16
rohorn [ 31-Mar-16 3:03am ]
Plans, fun, and loose screws... [ 31-Mar-16 3:03am ]
Most of repair and modification work has been done on the racer. All of the machine work is done. The new rear suspension is structurally finished. The current pile of parts, mostly unpainted, isn't photogenic at all. If all goes well, the racer will get some track time for testing and raced by June (Or July, at the latest). Testing and lap times will tell me and everyone else if it really works.


No, it won't break any lap records or even get close to the podium, but I'm confident that the next and better racer will easily do that. The next and better racer will share the same configuration and fundamental dimensions, but little else. A lighter steel or aluminum ladder frame would be easy to make, but it still wouldn't be light enough. Exotic motorcycle frame design and construction techniques really don't transfer to this configuration, but there sure seems to be a lot of potential with advanced Formula car methods. Exotic fabrications using aluminum honeycomb sound amazing, even if those are also obsolete. What could be more intriguing that bringing motorcycle construction from the biplane era to the early Cold War supersonic jet era? 

Frame design can be described as a structural connect the dots puzzle. It is fun to imagine really exotic solutions, and even more fun to talk about. Material expense, repairability, maintenance access, and ease of fabrication reduces the fun quite a bit. The solution that increases the probability of getting on the starting grid, going faster, and finishing ahead is the most fun.

Much of the trouble getting any work done on the racer has been the result of having a screw loose. No, that isn't comfortable. That is also getting removed soon! Progress on the racer should happen a lot faster afterwards. Faster is always better. 
See you at High Plains Raceway soon.... 
Bikini State [ 31-Mar-16 12:00am ]
HOW MANY SLEEPS UNTIL THE CRISIS? [ 31-Mar-16 12:00am ]
I don't know. There's enough for me to go on holiday, right? Right?
24-Mar-16
Blackdown [ 24-Mar-16 10:51am ]
Keysound Rinse show March 16 Atlas "Solitude" [unreleased] Desto "untitled"  [unreleased] Aphix "Chemtrails" [unreleased] Walton "Caught in a Trap" [unreleased] Walton "Black Hole"  [unreleased] Beneath "Giv Sum" [No Symbols] RS4 "Be Free"  [unreleased] Near "Lurk" [unreleased] Blackdown "Where we come from" [unreleased] ??? Blackdown "untitled (WIP for Koast)" [unreleased] Yak "Mido" [
Bikini State [ 24-Mar-16 12:00am ]
IN PRAISE OF THE BILLHOOK [ 24-Mar-16 12:00am ]
The billhook is a tool with a long history and, perhaps, an important future. It's been around since the Bronze Age, i.e. it's one of the oldest metal tools that mankind has. In Britain, that means over 4,500 years of continuous use. A billhook has a wooden handle (preferably ash) and a wide blade that curves out, ending in a sickle shaped hook. The top of the tool is usually dull and heavy, but is sometimes supplemented by a straight, shorter, projecting secondary blade. The tool is usually no longer than 16" long (including the handle), but can vary in length - and weight. In Britain, there are a number of regional variations that add or subtract to the basic design, and this is repeated across Europe. The billhook is both a general and specialist tool, and these area-specific refinements reflect this.
The billhook is traditionally used for cutting and hacking shrubs, branches and vines. When The Crisis comes, as come it must, finding secluded places to live and farm will become important, and the billhook will come into its own in clearing a path. But it is also a weapon of some note.  As we say in Essex: 'no-one ever fucks about with a bloke holding a billhook' (I can't remember the original Latin), and it also lends its owner a sense of unfuckwithability, which isn't a word but perfectly encapsulates the sense of invincibility and confidence this wooden handled wonder can inspire.
Like the much later smatchet, the billhook is both a blunt instrument and a sharp blade, and can be very useful in hand to hand combat. In the middle ages, with much longer handles, billhooks were often used against attacking cavalry. Its use requires a little technique, but can be effectively employed in a hurry without training, as long as you have brute strength and a will to win. It is a fearsome looking weapon, and brandishing it with feeling may be enough to defer conflict: it looks like it can do immediate damage, and few would relish the thought of being struck with either side of it. It is a great off-putter, or a putter-off-er, if you prefer. There is no stabbing point, of course, so be prepared for things to get messy if things escalate to an actual scrap.

Unlike the specialist (and expensive) smatchet, billhooks are readily available, especially if you can find an agricultural market. A well-worn, well-used second hand billhook is a thing of great beauty, an ergonomic wonder that will make you feel like you were born with it in your hand. Keep the blade sharp and clean, and the handle oiled. You might want to add a wrist strap to minimise the chance of it being used on you. When The Crisis comes, as come it must, your billhook will be your best friend, replacing the dog that you had to eat when times first got tough. Treat it carefully, deploy it decisively, it's a tool and weapon of proud lineage and infinite usefulness.  
15-Mar-16
A SPECIES OF DOOLITTLES [ 15-Mar-16 12:00am ]

I read recently that Japanese scientists studying the Great Tit had discovered that it used compositional syntax in its calls, i.e. it combined different noises to create new meaning and convey more complex ideas. This was previously thought to be something only humans do. It was an interesting study but the headline, however, was 'bird talk just like humans', which is hardly the point. It got me thinking about how mankind behaves like a solipsistic brat, utterly incapable of processing anything without reference to ourselves. Great Tits don't talk like human beings, they use compositional syntax. Yes, this is something that humans also use, but it's not something that we own.
Mankind has always been hard of hearing when it comes to nature. If we were to walk into a jungle, for example, we would be deafened by an array of animal calls. They all mean something, usually very specific. In this example, they may be warning each other about us. Yet, because we don't understand it, we don't value the sounds they make as communication, so we simply ignore it as noise. If, however, we can get a parrot to say 'fuck off' or a dog to say 'sausages' then we laugh and shake each other's hands like we've just discovered fire. We're idiots. A dog isn't delighted if a human makes a barking noise, it just wonders what on earth they are trying to do and what they are trying to say. They probably get annoyed at themselves for not understanding, but then dogs are less intelligent than us, aren't they?
Humans are obsessed with remaking the animal world in our own image. Look at social media: depressed cats, dogs in trousers, penguins on motorbikes, donkeys laughing, otters that look like Dominic Bumbercuntch. Even when people try and 'talk' to animals, like Johnny Morris, or Dr. Doolittle, it's a ventriloquist act, not a dialogue. The animals are given a human voice, and a silly accent. Is there any reason meerkats are Russian? Oh yes, because it's funny*. And all this is presented to reinforce the idea that mankind is where it's at,  and nothing else matters unless it is serving, amusing or copying us. And where has this got us? The world, once a genuine paradise, now resembles a well-used football: denuded, disfigured, slowly losing shape and air.
Think about the Earth and how it was only a few hundred years ago. Think about the Earth as it is now. Think about how the Earth will be in a few hundred years. Yeah, I know, miserable isn't it?
Now dry your eyes, because there is potentially good news around the corner. When The Crisis comes, as come it must, it may only destroy our way of life, not the world we live in. That seems fair: let human beings pay the bill they have run up. We are the only thing the world needs less of, and everything else will benefit from our misfortune: animal numbers will thrive, plants and trees will grow, the planet will compose itself itself, cool and clear its lungs. It will take a while, but it will happen. Most importantly, it will happen without any help from us, our input is simply not required; we've done more than enough. We measure everything in terms of lifetimes, as if a seventy or eighty year period has any cosmic relevance. Even a thousand years of human history seems like an impossibly long period of time. It's pathetic. Our planet is used to the long game, and it has seen off nuisances before in its four and a half billion year history.

Post-Crisis, post-industrialisation, post-mechanisation, post-capitalism, post everything we know, perhaps those of the species that are left will be assimilated to the extent that they will have time and sensitivity and silence enough to finally listen to the world and the noises it makes, to actually hear what everything else is trying to say. That's my hope. Evolution is an ongoing process, after all.

* It's worth pointing out that these 'silly' meerkats are the brains behind the UK's most successful price comparison website, so they're actually laughing all the way to the bank.
10-Mar-16
...and what will be left of them? [ 10-Mar-16 6:45am ]
Stoopid bass [ 10-Mar-16 6:45am ]
and this

and this of  course


08-Mar-16
Bass on the beach [ 08-Mar-16 6:29pm ]

06-Mar-16
renstravelmusings [ 6-Mar-16 1:03pm ]
Starting School [ 06-Mar-16 1:03pm ]
Schools out

I've been so happy to start volunteering at the Lotus Foundation School, a small NGO based in Samne Ghat with around fifteen students.  As always in India, things never go as you want and so I couldn’t start on the planned date as there was no water at the school as there was building work going on. Yet it was a huge relief when I finally could start as I'd felt quite isolated being in my Indian home away from it all and wanted to dedicate my energy to something.  I've really enjoyed working with the kids, they are so full of life and it feels good to be contributing to something other than just my own travels and musical development.

The school is a primary school for children that live in a small slum next to the Ganges beneath a large unfinished bridge that crosses the river.  It's really great they get an opportunity to have an education and to learn basic things that we take for granted such as how to take care of ourselves.  At school they can wash, clean their hair and brush their teeth.  Such simple acts that otherwise aren't part of their routine.

IMAG0244.jpgWe learnt a song about a house and drew pictures to go with this

Sadly hitting and shouting are part of their every day routine and school is also a place for them to learn that this just isn't an acceptable way to treat people or get what you want. It's difficult when this is what they learn at home.  Many parents aren't supportive of the children attending school, so there are always different students each day.  Sometimes the children might want to come but have to work or sometimes they might just not feel like it and no one is forcing them to go.  However every day we go to the slum to collect them to try and encourage them.

I have a huge amount of respect for Jill, an American lady, who runs the project. Firstly she's learnt pretty good Hindi which her allow her to teach the children to speak, read and write.  Everyday there are new challenges at the school – there's no cook, there's noise from builders, the gas has run out, there's a scooter in the classroom etc, but Jill keeps her calm and each day just does what she can given the difficult circumstances.

She is co-ordinating a move to a new school building next month across the river so that more children can attend.  She will create a hostel so that the current 15 or so children that come each day can live there and be fed so that they can keep coming.  If that wasn’t enough in itself she is also in the process of starting a guesthouse in the tourist area – the profits of which will be used to fund the school in the long run and offer job training to the children in the future. Jill very much takes everything in her stride, she manages so many things, it's amazing.

IMG_20160220_115044.jpgGoing to the slum to collect the kids for school

She has also been great to work with.  I've found it challenging in the past volunteering on projects where there is little support and induction but she was very welcoming.  I work with an Indian man called Vikash, who usually teaches but has been translating for me and handles a lot of the discipline which makes it so much easier.  I also really appreciate his help so much – in the past it's been hard to teach with my limited Hindi and not knowing the school's way of maintaining discipline.

Jill is also passionate about ensuring the children are involved in the arts and can learn to express themselves.  Which is where I come in! I've been teaching the children music and songs to develop their English and starting to develop their rhythm.  It's been fun taking my guitar to school each day to teach new songs.  We've also made out own instruments and done lots of drawing. We are now preparing for a performance before I leave which is really exciting for them and gives them a good reason to come to school.  I feel like in this short space of time I now know each child - their personality and ability.  It's a shame I have to leave, I've enjoyed working with the kids and having the school routine.

IMAG0227.jpgLunch time – yummy

As well as the teaching I love the start of school, the name game they do so that they can learn names (another things we take for granted - they live together yet don't know one another's names), doing yoga, some meditation (aka trying to sit still for two whole minutes) and reading the day's message. It's also great they get given a healthy snack of fruit as well as lunch of rice and daal.  The one time of day there is a sustained amount of silence as they gobble up their food.  I'm also fortunate to get picked up every day on a scooter which is just so much fun, whizzing through the hustle and bustle of Varanasi.

Thanks so much Jill - if you want to get in contact with her for any volunteering let me know!

Monkey business

You truly know you're in India when you have to alter your daily routine as a result of monkeys causing you trouble.  I was lured into a false sense of adorement for these creatures, the little ones look so cute and they're entertaining to watch but I quickly discovered they are not to be messed with.  In fact now I'm super wary of them.

The monkeys are very aggressive, territorial and protective of their babies.  They're on heat at this time of year and just become crazy.  My first encounter was with Anita Ji, trying to get to her mum's house - there was a group of them crossing the street and she wouldn't dare go past them until a man came with a large stick and shooed them away.  I remember thinking she was quite overly worried and that it was a bit extreme, surely we could just quickly scoot past?

IMG_20160213_221728.jpgBeware – monkeys crossing the street

Soon I got a phone call from my Kolkata friend explaining she'd just arrived in Varanasi the previous night and had been bitten by a monkey this morning!  She was meditating on the roof when she felt a baby monkey jump innocently onto her.  She thought it was sweet until the mother monkey lept towards her, chasing her down the stairs with other monkeys following.  Mother monkey then bit her on the leg with her sharp teeth.  My friend had to go to the hospital to get several rabies injections which made her pretty sick each time she had them.  What a welcome to the city……

I knew then the monkey problem really was serious and the next day I had my first adrenaline pumping encounter.  In the mornings, if there's time I like to go to the roof top to play my guitar.  It's the only place I can get some privacy as every door in my Indian house is always open (even the one to my bedroom get's  re opened whenever I close it as they use the room for puja and to have class!).  If I played outside the house I'd just attract so much attention.  So before and after the heat of the sun blasts out, the roof is my one 'safe space' - although obviously there is also someone who lives up there are does their washing and cleaning as I play…ha.

Anyway, I was innocently playing my guitar and watching the group of monkeys across the street on top of another building, far away, scavenging for food leftover from a wedding party.  Before I knew it a small head popped up from over the wall, looked me straight in the eyes, flashed it's sharp teeth and immediately I knew it was in attack mode. Uh oh,

I knew that if I just ran, it would chase me and just bite me like it did with my friend because they are so fast.  Luckily I'd just heard from someone that if you look as though you are going to attack them they back off and so you shouldn't lurch backward but run forwards.  Yes, it seems a bit counter intuitive but I lifted my guitar in the air and shouted 'AGHHHHHHHHH' in a really low voice for a really long time lurching my body forwards. It looked surprised, so then I ran for it!

I heard it chase me as I ran down the stairs so I turned again and went 'AGHHHHHHHHHHHHHHHH'.  Ran again - I was still being chased so turned around AGAIN with my aggressive 'AGHHH' until I was on the level of my house.  Of course another monkey was also coming up the stairwell having heard the shriek from it's friend so I backed into my gateway slamming the gate shut and could see that there were now about six monkeys hanging around the house, the balcony of which is protected by a cage.  Now I know why there is a cage.

IMG_20160303_064649.jpgNow I always carry a stick to the roof!

Anita said she'd heard my shout but had though it was a man because it was so low.  They monkey troop hung around for a good hour waiting for me to come out.  It shook me up but I know I had a lucky escape.   From that day on if there's the slightest sign of any monkeys on the roof I return home.  And I always carry a huge, big stick up there with me.  On the streets I avoid going near them and know never to make eye contact….monkey business.

Gratitude

Little things I'm grateful for - hot water for washing.  I hadn't realised there was hot water at our house as the warm and cold tap are the wrong way round.  Each morning I'd been cringing as I washed, thinking that 'warm' water, must mean not freezing cold.  Only accidently did I discover there is warm water.  Halleluiah, it's changed my world, just a small, simple thing but so much nicer to have.

I also never realised the importance of mirrors.   I like to think I'm not so vain and when I lived in the jungle I barely used a mirror, but it's not like I had to look presentable for anything (or wear much!) but now I've been working in a school and wanting to get ready and there is only one mirror in the house in the dining room that everyone uses.  I feel really weird about standing there and getting ready.  Privacy in the house has definitely been an issue!

India life is so surreal

It's wedding season and so it was only a matter of time before I would be invited to an Indian Wedding.  I went to a small sections, which is good as they go on for days with people not even sleeping so I was satisfied with just a glimpse.  I attended with the whole family and although we didn't see the actual ceremony, as that didn't start until 1am, I got a good feel for what it's like. It was a grand affair with the venue lavishly decorated with sparkly and shiny things that they so much love here.  There were delicious food stalls dotted around the site and so I was in food heaven.  I borrowed a beautiful silk sari and felt very glamorous.  There was also a lot of sitting around not knowing what was going on which is just my usual India experience a lot of the time.  So I played with Anjali, the 11 year old child of the family, who was delighted to have someone to play rock, paper, scissors with.

IMG_20160217_113326.jpgBlinged up for the Indian Wedding

 

Performing folk at an Indian Classical Concert …only in India

I was also very privileged to perform in a small concert a couple of weeks ago – a complete surprise.  A group of Argentian tourists came to the home to see my Indian parents do a concert and they invited me to sing with them.  I sang an Indian song (Bolo Bolo) by myself which was terrifying as I had to follow their incredible performance!  And nerves make singing an already complex song even harder.  But I appreciate their sentiment, they were giving me this opportunity to practice which is wonderful.

Then I got to sing a song with my guitar which I really enjoyed, this was much more in my comfort zone but of course once again, expect the unexpected.  We hadn't rehearsed and as I started playing the song Indian drumming from the tabla accompanied me, a super fast rhythm started, far faster than I wanted - it just did not suit the song and the drumming had to slowly fade out again.  It threw me a bit, but I managed to see the funny side.  This is India….

 


03-Mar-16
A bass for speed [ 03-Mar-16 7:23am ]

02-Mar-16
Bikini State [ 2-Mar-16 12:00am ]
THINGS I WILL NOT MISS [ 02-Mar-16 12:00am ]

When The Crisis comes, as come it must, it will signal a number of seismic changes to the way we live, especially the fundamental tenets of modern society that we currently take for granted. Paper money will only be worthwhile as kindling, for example, or, if you really want to know bitter irony, as toilet paper. Conversely, actual toilet paper will be so rare that it will become a type of currency. There won't be any sandwiches either. I'll repeat that: there will be no sandwiches. In my lifetime, the sandwich has evolved from something curly and white and slightly smeared with meat paste to a multi-layered, multi-coloured baroque masterpiece, a vulgar but wonderfully rendered piece of rainbow food art with up to sixty ingredients, some of which actually taste of something, others which you would be advised to wash your hands thoroughly after handling. Take a look at your store bought sandwich this lunchtime, and simultaneously marvel and recoil at the impossibly long list of sinister components, I speak, of course, about such life-affirming nuggets and unguents as niacin, thiamin, sodium nitrate, ascorbic acid, beryllium, sapphire, silver, steel and watercresss.
Actually, these ingredients may have been in sandwiches before, I don't know. Perhaps ascorbic acid is in every slice of bread, part of the process. It may even be the tastiest bit. But my point is that, previously, no-one cared. They ate it, or they didn't, they had no interest in what its constituent elements were. Also, very few people had allergies, and even fewer people cared about those that did. It was a strange and savage world in many ways, but you knew where you were. Being made aware of the composition of every molecule of every morsel you put in your mouth has not in any way been an advance. It has caused confusion and fear, and added another wrinkle to the worried and weary face of the 21st century, a period already much older than its time.      
In any event, your worries will soon be over as most of this lengthy list of bromides, anti-coagulants and laxatives will not be available post Crisis or, rather, will be hoarded like rubies and used in bombs or added to stews as a means of removing unsuitable chieftains from power, so that's literally and figuratively one less thing on your plate.
Overall, however, I think that this is most definitely a good thing. As an office worker, I am so fucking sick of sandwiches. There's something quite shameful about the average shop bought triple decker on artisanal halfmeal with pumpkin seeds and beetroot slaw - or, indeed, a good old fashioned cheese and pickle pile on cardboard bread in a sweaty cling film coat. A sandwich seems to rams home the corporeality of mankind, its grossness, its self-disgust. Only a KFC is more humiliating. The sandwich is designed to be devoured, shoved in, gulped down, quickly, easily, unthinkingly, in a hury. Who amongst us hasn't hastily gobbled a sandwich on a train, on the street, in a corner, in a corridor, like a rat in a bin, or a fox in a skip? Who hasn't understood with every hasty bite that we're nothing special, just  large, ambulatory lumps of meat that need to pump prawn and avocado into their guts lest they seize up? The sandwich, which always looks so attractive in the hand, goes down like excrement on the palate, because you are never more aware than with the first bite that, in purchasing this gilded turd, you have failed as a human being*.
So, yep, for once, The Crisis will actually facilitate a positive change: no more sandwiches, and no more sandwich shame. Don't worry, though, you will have a million other things to be mortally disgusted with.


Finally, there is nothing wrong with the sandwich at the top of the post, despite its appearance. It's actually been put into pre-marked anti-theft bag. I don't know what's worse, a world where people steal your sandwiches, or a world where you can buy something to desperately try and stop them. Thank fuck for The Crisis, which will put an end to such dilemmas once and for all.

* This is especially true of awful outlet Subway where, despite being able to customise your bread roll with hundreds of different ingredients, the end result can only ever be one of two combinations: cold shit, or hot shit.
01-Mar-16
Filthy bass [ 01-Mar-16 7:19am ]

Drugged, hypnotic, sleazy throb
29-Feb-16














Jamerson requires his own post: Lazily I have cut and pasted this from http://www.bassland.net/jamersonhits.htmand this is only the single tracks he figures on:
My Girl - TemptationsBernadette - 4 TopsAint That Peculiar - Marvin GayeOoh Baby Baby - The MiraclesTo Many Fish In The Sea - The MarvelettesUptight (Everything Is Alright) - Stevie WonderHeat Wave (U) - Martha & The VandellasThis Old Heart Of Mine - Isley BrothersI Heard It Through The Grapevine (2 recordings) - Marvin Gaye, Gladys Knight & PipsWhere Did Our Love Go (U) - Diana/SupremesSince I Lost My Baby - TemptationsFor Once In My Life - Stevie WonderMy Guy (U) - Mary WellsYour Precious Love - Marvin Gaye/Tammy TerrellYou've Really Got A Hold On Me - The MiraclesLove Child - Diana/SupremesI Guess I'll Always Love youDancing In The Streets - Martha & The VandellasDon't Mess With Bill - The MarvelettesWhat's Going On - Marvin GayeStanding In The Shadows Of Love - 4 TopsMickey's Monkey (U) - The MiraclesCloud Nine - TemptationsNothing's To Good For My Baby - TemptationsMy Baby Loves Me - Martha & The VandellasYou Keep Me Hanging On - Diana/SupremesYou Beat Me To The Punch - Mary WellsLittle Darling (I Need You) - 4 TopsI'm Ready For LoveThe Way You Do The Things You Do - TemptationsI Can't Help Myself - 4 TopsRoadrunner - Jr. Walker & The All-StarsYou're All I Need To Get By - TemptationsYou Can't Hurry Love - Diana/SupremesShop Around - The MiraclesAin't To Proud To Beg - TemptationsMy Cherie Amour - Stevie WonderIt's The Same Old Song - 4 TopsHow Sweet It Is - Marvin GayeTake Me In Your Arms (And Rock Me A Little While) - Brenda HollowayAin't No Mountain High Enough (2 recordings) - Marvin Gaye/Tammy Terrell, Diana/SupremesMy Baby Must Be A Magician - The MarvelettesLove Is Like An Itching In My Heart - Diana/SupremesBeauty Is Only Skin Deep - TemptationsAsk The Lonely - 4 TopsGoing To A Go-Go - The MiraclesI was Made To Love Her - Stevie WonderHitch Hike - Marvin GayeI Second That Emotion - The MiraclesPlease Mr. Postman - The MarvelettesJimmy Mack (U) - Martha & The VandellasI Hear A Symphony - Diana/SupremesShake Me, Wake Me (When It's Over) - 4 TopsI'm Gonna Make You Love Me - TemptationsGet Ready - TemptationsThe Hunter Gets Captured By The GameStop! In The Name Of Love - Diana/SupremesThat's What Love Is Made OfNowhere To Run - Martha & The VandellasSeven Rooms Of Gloom - 4 TopsPride & Joy - Marvin Gaye(I Know) I'm Losing You - TemptationsTwo Lovers - Mary WellsI'll Turn To Stone - 4 TopsCome See About Me - Diana/SupremesStubborn Kind Of Fellow - Marvin GayeHow Long Has That Evening Train Been GoneIf I Were your Woman Gladys Knight & The PipsMy World Is Empty Without You - Diana/SupremesThe Tracks Of My Tears - The MiraclesI'm Wondering - Stevie WonderCan I Get A Witness - Marvin GayeThe Girls Alright With Me - TemptationsShoo Be Doo Be Doo Da Day - Stevie WonderReflections - Diana/SupremesWhat Becomes Of The Broken Hearted - Jimmy RuffinBaby I Need Your Loving - 4 TopsQuicksand... - Martha & The VandellasReach Out...I'll Be There - 4 TopsYou Beat Me To The Punch - Mary WellsThe Bells - The OriginalsShotgun - Jr. Walker & The All-StarsFingertips (pt2)- Stevie WonderHey Girl - Stevie WonderWhat Are You Gonna Do When I'm Gone (U) - Kim Weston Still Water Runs Deep - Four Tops (Chuck Whaley)All in the Game - Four Tops (Chuck Whaley)My Baby - TemptationsThe One Who Really Loves You (U)- Mary WellsThis Old Heart Of Mine - Isley BrothersMy Whole World Ended (The Moment You Left) - David RuffinIt Takes Two (U) - Marvin Gaye/Tammy TerrellHoney Chile - Martha & the VandellasTo Busy Thinking About My Baby - Marvin GayeWhen Your Young And In Love - MarvelettesAin't Nothing Like The Real Thing - Marvin Gaye/Tammy TerrellStill Waters Run Deep - Four TopsIf I Were Your Woman - Gladys Knight & the PipsI Want You Back - Jackson 5It's Growing - The Temptations Agent Double O Soul - Edwin StarrI Can't Get Next To You - Temptations I want A Love I can Feel - Temptations Heart Breaking Guy - Supremes 
faces on posters too many choices [ 29-Feb-16 4:45pm ]
Crank [ 29-Feb-16 4:45pm ]

bass = discipline


two very different tracks, but the bass has the same kind of propulsive quality in each
up close and personal [ 29-Feb-16 4:50pm ]
Somethin' Here [ 29-Feb-16 4:50pm ]


...and what will be left of them? [ 29-Feb-16 4:38pm ]
Larry [ 29-Feb-16 4:38pm ]
The man.

The legend.

The machine.


The slap bass.
28-Feb-16
faces on posters too many choices [ 28-Feb-16 9:03pm ]
Bass in the studio as instrument [ 28-Feb-16 9:03pm ]









Real bass or just an...... [ 28-Feb-16 2:57pm ]
'The Bass was played using an early Roland SH1000 made in the late 70's This was originally designed to sit on top of a Hammond organ so it looked like one! This was a monophonic synth but would play two octaves at once so using a combination
of square and sine waves an octave apart combined with a lot of wrestling with a portamento switch to get the slides this is how the bass lines were done. No sequencer was used at all on the bass lines just a lot of sweat and keeping time which was helped by me also being a drummer! The synth was recorded through a Boss chorus guitar pedal (blue type) and then compressed a lot through a studio DBX160 a really great vintage compressor.The bass was very high in the mix but cut through because of the compression and the split octaves.Just an illusion bass was the best of two different lines recorded over two days on Analogue 24tk before digital came in.' - Tony Swain from his blog tonyswainproducer.blogspot.co.uk   http://tonyswainproducer.blogspot.co.uk/2012/08/tony-swain-producer-composer.html 
...and what will be left of them? [ 28-Feb-16 1:42pm ]
Bass = Ass [ 28-Feb-16 1:42pm ]


As referenced previously by Ralph Dorey, very eloquently - http://andwhatwillbeleftofthem.blogspot.co.uk/2012/01/free-your-mind-and-your-ass-will-follow.html


up close and personal [ 28-Feb-16 1:58pm ]
Piano as bass [ 28-Feb-16 1:58pm ]


'....Heinke cracked the code of "Shook Ones Part II" while listening to "Jessica," a 1969 recording by Herbie Hancock. It turns out that Mobb Deep rapper-producer Havoc took a piano melody from the song and slowed it down at two different pitches to create a two-bar loop more reminiscent of a bass guitar than keyboard.'
LA Times, April 5, 2011
Bass as weapon [ 28-Feb-16 12:46pm ]

27-Feb-16
faces on posters too many choices [ 27-Feb-16 7:57pm ]
Bass in your face [ 27-Feb-16 7:57pm ]


The one I should have posted for Peter Hook
23-Feb-16
Bikini State [ 23-Feb-16 12:00am ]
QUICK TIPS [ 23-Feb-16 12:00am ]
QUICK TIP 001:BACK GRIP
...and what will be left of them? [ 22-Feb-16 9:43pm ]
And the beat goes on....... [ 22-Feb-16 9:43pm ]

 
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