As part of #europeanmusic its a bit hard to showcase #UKmusic as there's just so much of it. However I love this track and it sums up a certain UK 2011 aesthetic for me.

Let start with the name. The piece is about Stokes Croft in Bristol which is hipster central for that town. So there's some psycho-geography and psycho-history going on here. It's got that melancholic Burial "music on the headphones while walking back from the club at sunrise" feel. But can you hear the echoes of Bristol's history as well? Is that the slave trade or the press gang in the background. Is it noise, tape hiss, or rain on cobbles? Not so much on this track but on other's on the same album and definitely from other people, there's a two-step rhythm that evokes the flying shuttle in the old cotton mills. So is this "Steampunk Dubstep"?

The album is called "Old Raves End". And I get images of a retirement cottage in the country populated by ageing turbo-hippies and crusty festival goers. Perhaps the house in Old Raves End is called DunRavin.

I don't actually know anything about Swarms, but looking at their picture on http://www.last.fm/music/Swarms there's some 20-somethings in hoodies looking back at me. Have they got a bit part in Being Human? If they've got a day job, is it as a hospital porter despite a 1st in Music Technology? There's precious little biography and even the photos are quite anonymous. Tom, Sam and Pete, who are you? So that's another part of the 2011 UK Bass aesthetic, the anti-cult of the anonymous producer.75 Trinity Rd